A “Literary” Satanism? Decrypting Proto-Fascist and Antisemitic Themes in The Revolt of the Angels by Anatole France

One of the most common justifications which The Satanic Temple’s spokespersons give for their Satanism is that what their sect is all about is not what Christians (mis)understand by the terms “Satan” and “Satanism.” Rather, it is claimed that “[t]he word Satan has no inherent value [i.e., meaning]” (Bugbee, “Unmasking”). Accordingly, the pretense is fostered that TST’s Satanism is a literary construct, that for them “Satan” is a mere metaphor, resembling a character from a novel (ibid.).

In the attempt by The Satanic Temple’s leadership to construct a new, coherent idea of “Satan” which they calculate will be an acceptable exoteric ideological façade to present to the world, the sect has a program of two “Primary Readings” for new members. These readings are The Revolt of the Angels (1914, originally La Révolte des anges) by Anatole France (1844–1924, born Jacques Anatole François Thibault) and The Better Angels of Our Nature: Why Violence Has Declined (2011) by Steven Pinker (1954–present) (thesatanictemple.com, “The Satanic Temple Library”; freethinker). In attempting to add a “literary” sophistication and legitimacy to their Satanism, TST leaders also often describe their Satan as “Miltonic,” in reference to the character named Satan in Paradise Lost (1667) by John Milton, a militant Puritan, although this work is not described by the group as a “Primary Reading.” A web page titled “The Satanic Temple Library” on the sect’s website also recommends a number of other texts, many from the 19th and late 18th century. Among these we find William Blake’s The Marriage of Heaven and Hell (1790), a work in which Blake “recounts the origin of the belief in the Jews as chosen people,” arguing that the Jews (who he refers to as “long spindle nosed rascal[s]”) are “liars” and that Christ was an “Unbeliever” who aimed to “abolish the Jewish Imposture” (Shabetai 148–149). This argument bears striking resemblance to the thesis of Anatole France in The Revolt of the Angels.

Before addressing the first of the two “Primary Readings” of The Satanic Temple (i.e., The Revolt of the Angels), some comments on Steven Pinker, an “Alt-Right”-sympathizing pop intellectual hack along the lines of Jordan Peterson and Malcolm Gladwell, are in order (Saeen). The “Satanic Panic” narrative-propagating and Holocaust denialist online news rag Vox sums up his thesis in The Better Angels of our Nature: Why Violence Has Declined as the claim that “capitalism is killing war” (Buntovnik, 9 Oct 2018, 5:55, 10:50; Beck; 6.2; Beauchamp). His arguments, including those drawing on the racist myth of the “bloodthirsty savage” presented in The Better Angels of Our Nature, have been pretty thoroughly rebutted elsewhere (Gray; Lynch; Douthat; Corry), but it is revealing of the vacuous ruling-class outlook of The Satanic Temple that the group would choose to base itself on a work of distilled bourgeois ideology written by a professor at Harvard, the wealthiest university in the world, whose work has won glowing endorsements from Bill Gates, the man with the highest net worth in the world for much of the past quarter of a century. Pinker, an adherent of the laughably antiquated “Great Man Theory” of history, defends his thesis of “declining violence” by dismissing major events that clearly contradict his narrative, like the Holocaust, as “bad luck,” arguing that if another man—maybe Heinrich Himmler, Ernst Röhm, or Otto Strasser—had taken over as the Führer of Nazi Germany “at almost any time before September 1939,” such violence would have been avoided (“Frequently Asked Questions about The Better Angels of Our Nature: Why Violence Has Declined”). This is of course sheer absurdity.

How many supporters of The Satanic Temple have actually read The Revolt of the Angels? It’s hard to say, but I suspect that the answer is, not many. What is clear, however, is that basing an actual religion on the text in the manner in which TST claims to have done can only be attributed to a massive misreading and failure to understand the text. Or perhaps TST leaders simply believe that by basing their “literary construct” of Satan on a pre-Nazi era “socialist” like Anatole France—who is, by all accounts, a rather obscure author to a 21st century American audience—they can add a false sense of “depth” to their ridiculous pretensions, not expecting any real exegesis to occur beyond Twitter-friendly (i.e., superficial) blurbs describing the book as being about an “enlightened Satan” rebelling against “authoritarian, tyrannical God.”

In The Revolt of the Angels, Anatole France tells a story which seems to draw on Gnostic themes as much as it does Satanist ones. In the novel, “Iahveh” (YHWH/Yahweh/Jehovah) is presented as “the Demiurge” or “Ialdabaoth,” a lying, stupid, and violent false god or “imposture” who is opposed by “the Seraph” or “Lucifer,” who recognizes that “the world is its own author and spirit is its own God” (191). The story also evokes a number of antisemitic themes.

Although it has sometimes been implied that Anatole France must have rejected antisemitism by virtue of having siding with the Dreyfusards during the Dreyfus Affair (a pivotal event in the history of modern antisemitism, occurring between 1894 and 1906, which saw the Jewish-Alsatian French military officer Alfred Dreyfus [1859–1935] falsely accused of treason and imprisoned, thereby generating public outcry and politically polarizing French society according to views on antisemitism, Republicanism, monarchism, patriotism, and anticlericalism), several sources note that Anatole France nevertheless worked antisemitic themes into a number of his works.

In “Mechanisms of Antisemitic and Anti-Masonic Hate in Drumont and his Heirs,” Thierry Rouault places Anatole France among the writers’ whose work can be classed as evincing the influence of Édouard Drumont, founder of the Antisemitic League of France and author of the best-selling work of antisemitism, La France juive (1886). Rouault suggests that Anatole was impressed not so much by “the antisemitism [of Drumont] but by his hate of the bourgeoisie” (301). Rouault notes that “[l]ike many writers of the 1880s, Anatole France is very ambiguous. He violently attacks La France Juive [sic] but takes inspiration from its author to compose [his own book] L’Histoire contemporaine,” (302). Rouault also observes that, even after making some statements critical of the antisemitic extremists, Anatole France “nevertheless continued to give free rein to antisemitic […] rhetoric by the intermediary of his characters,” (304). Rouault’s analysis of Anatole’s work appears to cut off at 1899, but we will see that the latter’s bigoted writing tendencies did not end then. Incorporating a “hooked nose” Jewish banker-demon as the villain in The Revolt of the Angels (his “revolutionary” novel of 1914), Anatole France demonstrates an affinity for a retrograde form of “Utopian” or “Romantic Socialism,” open to antisemitism, which would eventually give rise to so-called “National Socialism” (i.e., Nazism).

The kind of antisemitism promoted in the work of Anatole France is that found in some strains of the primitive, pre-Marxian “utopian” or unscientific socialist movement. French historian Laurent Joly describes the origins of the antisemitic “Jewish banker” trope which can be found in Anatole France’s The Revolt of the Angels in a review of fellow historian Michel Dreyfus’ book L’antisémitisme à gauche. Histoire d’un paradoxe, de 1830 à nos jours (or Antisemitism on the Left: History of a Paradox from 1830 until Today):

“In the 1840s, socialist thinkers shaped the myth of the Jewish banker, ‘king of finance’ and exploiter. From the utopian socialists (Fourier, Toussenel, Leroux, etc.) to the Blanquists, passing by the Proudhonian school, all the tendencies of the French left of that period were marked, to varying extents, by a Judeophobic imagination that drew on Catholic culture and signaled total ignorance of the real living conditions of Jews (the Jewish proletariat was ignored, and the idea that all Jews are financiers and capitalists constituted a strongly rooted belief,” (184–185).

Joly further explains that this kind of antisemitic “anti-capitalism” was tolerated by some on the political left, who viewed it not as “the enemy” but rather “the socialism of imbeciles.” The 19th century socialists who were willing to tolerate antisemitism, even if they were mildly critical of it, saw it as an acceptable “stage” in the development of a person’s political thought. It was noted that Drumont’s 1886 antisemitic book La France juive (or “Jewish France,” which, as noted above, was a significant source of inspiration for Anatole France) “attacks the Jews, certainly, but he also goes after plutocrats, defends the humble, the exploited,” (185). Thus those who saw antisemitic hate for “Jewish finance” as a “step” towards becoming a real anti-capitalist calculated (wrongly) that “antisemites would do ‘revolutionary work’,” (ibid.).

In a clear example of “giv[ing] free rein to antisemitic […] rhetoric by the intermediary of his characters” (Rouault 304), Anatole France incorporates this “socialism of imbeciles” trope into his 1901 novel Monsieur Bergeret à Paris (or Mister Bergeret in Paris), where a character named Fléchier (described as “an old [Paris] Communard, a good revolutionary” who, in contrast to the protagonist [a surrogate for the voice of the author] is said to “have studied in the books of Marx”) argues: “Cross your arms and watch the antisemites come. For now, they practice with a straw rifle and a wooden saber. But when it will be a question of proceeding to the expropriation of capitalists, I don’t see any inconvenience in starting with the Jews,” (91–93).

Joly also identifies the Dreyfus Affair as a turning point: from then on (i.e., around the beginning of the 20th century), “antisemitism is clearly identified with the extreme right,” and “left antisemitism is the prerogative of marginal and anticonformist groupings,” (ibid.). In other words, the general thinking of leftists in France after the Dreyfus Affair has been that the so-called “socialism of imbeciles” was from then on “the enemy” of the authentic Left. Based on the 1914 publication date of The Revolt of the Angels and the antisemitic bent of the book’s “anti-capitalist” content, it is clear that the retrograde Anatole France had a soft spot for both “marginal anticonformism” and the so-called “socialism of imbeciles.”

“Anticonformist marginality” is in fact a great way to sum up the message of The Revolt of the Angels. In the end of the story, Satan effectively declares that the whole “revolt of the angels” was utterly pointless, coming to the conclusion that, “God defeated will become Satan, victorious Satan will become God,” (410). Satan thus comes to the realization that he prefers marginality and “anticonformism” for their own sake. This is illustrative of the petit-bourgeois mentality of Anatole France, whose “radicalism” was allergic to the notion of working class people taking control of society. If we take the premise of Judeo-Christian mythology as a metaphor for class struggle, wherein God represents the bourgeoisie and humanity the proletariat, then we must admit that the “fallen angel” of Anatole France (and therefore The Satanic Temple’s Satan) is not a proletarian, but a downwardly mobile petit bourgeois whose “revolt” consists neither in the conquest of power nor in the desire to unite humanity under a democratic dictatorship of the proletariat, but rather in reactionary horror at the erosion of his privileged existence in atomistic “anticonformist” separation from “the masses” within a decaying capitalist system, exacerbated by the rage characteristic of the small-time capitalist forced out of business by big-time monopoly capital, which traditionally forms the backbone of all fascist movements.

The historian Phyllis M. Senese points out in “Antisemitic Dreyfusards: The Confused Western-Canadian Press” that defending Alfred Dreyfus did not necessarily an opponent of fin-de-siècle antisemitism make:

“[English-speaking Canadian journalists regularly] denounced vehemently the outrages in France, not because they really wished to defend Jews, but because the persecution of Dreyfus supplied them with an easy means of condemning a Catholic and French society. Defending Dreyfus the man, instead of Dreyfus the Jew, allowed them to denounce an alien religious and social system that they disliked […] As they embraced Dreyfus as the innocent victim of French-Catholic hatred, the western editors repeated routinely the antisemitic canards that were circulating widely in Europe and America. Thus they demonstrated an inability to recognize in their own attitudes the same prejudice that they condemned in the anti-Dreyfusard French,” (94).

This same rhetorical notion of “I don’t see Dreyfus as a Jew, I only see him as a man” (reminiscent of the “color-blindness” ideology which many have critiqued as an inadequate, superficial approach to anti-racism which is complicit in racism, if not actually a subtle form of racism in itself [Mueller; Bostick; Dolezal; Williams]) is found in the work of Anatole France that represents probably his most explicit literary intervention into the Dreyfus Affair. In his 1901 novel Monsieur Bergeret à Paris, Anatole France’s surrogate argues:

“To my mind, all that is equitable is a beginning of socialism […] I know neither Jews nor Christians. I know only men and the only distinction I make between them is whether they are just or unjust. Be they Jews or Christians, it is difficult for the rich to be equitable,” (93).

Thus for Anatole France, the defense of Dreyfus had nothing to do with addressing or combatting racism and antisemitism as such, but rather it was merely a question of defending “a man” who was innocent, not a Jew who was being singled out specifically as a Jew. Or at least that was the pretext. In reality, Anatole France’s “Dreyfusard” stance was more akin to the anti-Catholic Anglo-Canadian Dreyfusards than to that of actual opponents of antisemitism in that he had another overriding reason to oppose the Roman Catholic-associated anti-Dreyfusards: his anticlericalism, which, as we shall see, was full of anti-“Judeo-Christian” baggage and romanticization of Eurocentric pagan imperium (which, for proponents of modern Satanism, is identical to Satanism).

That Anatole France’s motivations for siding with the Dreyfusards were rooted not in opposition to antisemitism, but rather in his proto-fascist “national socialistic” anticlericalism is evinced by the fact that his discourse had in the years prior drawn explicitly on antisemitic rhetoric. In a review of Drumont’s antisemitic magnum opus La France juive that he had had published in a newspaper called Temps, Anatole France “declared that the solution to the Jewish question was that the ‘real’ Frenchmen oust the Jews from their strongholds by being better merchants and bankers” (Byrnes 178). Also telling is the fact that Anatole France kept close company with the antisemitic “socialist” Francis Delaisi (1873–1947), a friend of his who would later become a leading French collaborationist during the Nazi occupation of France (Cousin; Irvine 206).

Anatole’s racism emerges in full force in Chapters 17, 18, and 19 of La Révolte des anges, where we see that the metaphorical celestial war between Lucifer and the “Demiurge” Yahweh takes on geopolitical and racial connotations of an earthly war between the materialistic, capitalist Jewish plutocrats and “Christian Europe,” undergoing a spiritual awakening in which the old “Satanic” pagan gods of “Wisdom,” “Science” and “Beauty” retake their “rightful place.” In effect, the author marshalls the esoteric principle of “as above, so below” to show how the angels’ celestial revolt against “the Demiurge” or evil, false god Yahweh in Heaven corresponds to their efforts to do the same (i.e., foment revolution) in France, on Earth. “Our plan,” says Arcade, one of the angels, “is vast. It encompasses heaven and earth,” (185). The angels desire to conduct an “assault on heavenly Jerusalem” corresponds to their desire to organize a revolution in France, which through “finance” and “by Deposit and Credit […] has become the new Jerusalem.”

We see here that Anatole is building on the trope of the “Jewish banker,” commonplace among French antisemites during the Belle Époque (1871–1914). In Chapter 17, the angels come to a “baron Max Everdingen,” a Jewish demon and director of “the largest credit establishment in France and in the world” asking for a loan of money to finance their “revolutionary” schemes (181–182). The antisemitism of Anatole France is thunderous in the description of the greedy capitalist Everdingen, a demonic “hooked nose” Jew whose physiognomy is said to be of the “pure Semitic type” (301, 182). Beginning Chapter 17 with the Jewish demon-banker’s backstory, Anatole explains that before he became a “fallen angel” (i.e., a demon), “he was named Sophar in heaven” (his angelic/demonic name is perhaps a reference to the shofar, a kind of horn used in Judaism) and he “guarded the treasures of Ialdabaoth [Yahweh], great lover of gold and precious stones,” (181). Because Sophar/Everdingen had this duty, he “developed a love for riches that cannot be satisfied in a society without stock exchange and banking” (182). Anatole France proceeds to lump on the antisemitism in heavy doses, combining Jew-hatred in racial, pseudo-anticapitalist, and religious forms by adding:

“[The demon Jew’s] heart burned with an ardent love for the god of the Hebrews [i.e., Yahweh], to which he remained loyal for a long time. But at the beginning of the 20th century of the Christian era, seeing France from the high heavens, he saw, under the name of republic, this country which had been made into a plutocracy and which, under the guise of democracy, unchecked and unregulated high finance exercised sovereign power. From then on, staying in Heaven became unbearable to him. He yearned for France, his country of choice, and one day, taking all of the fine jewels he could carry, he descended to Earth and established himself in Paris [and] did business there. Since taking physical form, his face offered nothing heavenly; it was an exact copy of the pure Semitic type[.] […] He married an ugly woman and they could see themselves in their two children like in a mirror. The hotel of baron Max Everdingen […] overflows with the plunders of Christian Europe,” (182–183).

The angel Arcade, come to ask for a loan, walks around the Jewish banker’s office and, noticing decorative statues depicting Greek mythological motifs, asks Sophar/Everdingen, “How is it, my brother Sophar, that you, who still have the Israelite [i.e., Jewish] heart, keep so poorly the commandment of your God who said, ‘You shall not have any graven images’[?]” (184). The angels (Arcade and prince Istar) then proceed to threaten to obliterate the banker’s building with a bomb, and he then acquiesces to their demands, though imploring them to only make revolution in Heaven and not to upend the capitalist system on Earth.

Although Anatole France’s demonic capitalist Jew is a “fallen angel,” he is nevertheless not on the side of the Satanic or Luciferian “angels.” It’s worth noting here that in The Revolt of the Angels, there is little distinction at all between demons and angels, and not all “fallen angels” are necessarily on the side of Satan. From Sophar/Everdingen’s utter disinterest in the heavenly revolution (i.e., his unwillingness to help finance the “assault on Jerusalem”) and his keen interest in keeping his vast earthly riches intact, we see that Anatole France employs the trope of the “hooked nose,” demonic capitalist Jew as the epitome of both spiritual and material treachery, one thing leading to the other. The former (his spiritual corruption) is evinced by his disloyalty to Yahweh, his willingness to steal from the heavenly coffers of the Lord (whose depiction as a gold-hoarding entity is telling) and in his cowardly unwillingness to defend the Lord (Yahweh) from Satan, while the latter (his materialistic corruption) is demonstrated by his parasitic hoarding of vast sums of wealth at the expense of “the people” (using capitalism to subvert democracy and republicanism). In his construction of Sophar/Everdingen, Anatole offers an exact reproduction of Blavatsky’s antisemitic construct of the archetypal “Semite,” framed as “degenerate in spirituality and perfected in materiality” (Blavatsky 178). Sophar’s descent from Heaven (i.e., materialization or spiritual degeneration)—by means of which he becomes baron Max Everdingen—is inseparable from his physiognomic transformation into a “pure” (read: perfect) “Semitic type” because in antisemitic thinking the “physical anthropological” datum of the Jew’s perfectly “hooked nose” is synonymous with spiritual degeneracy. The denigrated racial aesthetic, spiritual degeneracy, and material enrichment are all entangled in mutually signifying one another.

Anatole France continues to develop virulent antisemitic themes in the following chapter of The Revolt of the Angels, while additionally introducing clear pan-European imperialist or “white nationalist” motifs as well. Here, in Chapter 18, we can begin to understand that Anatole is arguing for the superiority of a pagan pantheon spanning from the Greco-Roman world to India (i.e., the “Indo-European” or “Aryan” pantheon) over the “evil” Yahweh of the Jews, depicted as a false god imposed on Europe by means of deceitful Semites with the help of the peoples of “Asia and monstrous Africa” (217). This corresponds closely to what we have seen as regular themes of modern Satanism, as expounded by Satanic cults such as “Thee Temple ov Psychick Youth” and the “Order of Nine Angles” and their myriad spin-offs, which freely appropriate aspects of Hinduism, Buddhism, Zoroastrianism, and any other religion deemed sufficiently tied to the “Aryan root-race,” attempting to mix them with a concocted Germanic neo-paganism. The fascist nature of this theme of a “good” unified pagan pantheon stretching from Rome to Greece to Persia to India is further corroborated by the fact that top Nazi ideologues, such as Alfred Rosenberg, also expounded it, regarding these places as having all originally been “Aryan nations” which fell one by one, according to them, to so-called “miscegenation,” a trend which could only be negated, so they said, by the remnant of this primitive “race” in Germanic Europe.

A character named “Nectaire” describes the building of the Satanic army in the North, preparing for the “assault on heavenly Jerusalem” (185):

“War having become inevitable, he [Lucifer] prepared with untirable vigilance and with all the resources of a calculating spirit. Making Chalybes [‘Steel Objects’, a Caucasian tribe of Antiquity who are said to have invented steel] and Cyclopses from Thrones and Dominions [angels of the third and fourth rank in the celestial hierarchy of Christian angelology (dbu.edu)], he [Lucifer] extracted iron, which he prefered over gold, from the mountains that marked the boundaries of his [Yahweh’s] empire and forged weaponry in the caves of Heaven. Then he [Lucifer] assembled myriads of Spirits in the deserted plains of the septentrion [i.e., the North], and armed, exercised, and trained them. Although prepared in secret, this undertaking was too big for the adversary [Yahweh] to not soon be alerted. It could be said that he [Yahweh] always anticipated and feared this [revolt], because he had made his home into a fortress and his angels into a militia, and gave himself the name ‘God of Hosts’ [Sabaoth, ‘Armies’]. He prepared his lightning bolts. More than half the children of the heavens remained loyal to him,” (193).

The original French text uses the archaic term “septentrion” to mean “north.” This term carries significance in the discourse of a number of “occultists” and Satanists, being associated with the “Septenary” of the Theosophical Society (which was a profound influence on Ariosophy and, therefore by extension, Nazism). The same term employed in Theosophical Society discourse has also been adopted by the neo-Nazi “Order of Nine Angles” Satanic cult, which refers in its teachings to the “septenary system, or tradition” (or “Seven Fold Way”). Incidentally, it may be recalled that The Satanic Temple also basis its ideology on what it calls the “Seven Fundamental Tenets” (3.2.2). Although the crypto-fascist sect’s leaders and, no doubt, their followers will vehemently insist that any similarity between the “Seven Fold Way” and the “Seven Fundamental Tenets” comes down to pure coincidence (just like “Grey Force” and “Grey Faction”), we would do well to keep in mind Misicko’s long-term involvement with The Process (whose “variation of the swastika” [5.2] he bears indelibly on his flesh), its obsessions with the idea of complementarity and the unification of opposites (namely, Satan-Christ and Jehovah-Lucifer, but also Jew and Nazi, Positive Christianity and Negative Christianity, causal and acausal, anarchist and fascist, Magian and Faustian).   

Anatole France hints at the esoteric significance of these terms relating to the number seven in Chapter 18 of The Revolt of the Angels, describing Satanic cosmology thusly:

“In those times, which preceded time, in the boreal [northern] sky where the seven magnetic stars shined, he [Lucifer] lived in a palace made of diamonds and gold, trembling at all hours with the sounds of wings and triumphant chants. Yahweh, on his mountain, was jealous of Lucifer,” (190).

These “seven magnetic stars” may be taken to refer to the constellation known as the Big Dipper, whose Latin name is “Septentriones,” meaning the “Seven Oxen.” The choice of the slightly more esoteric term “boreal” rather than “northern” (as in aurora borealis, northern lights) is also telling. According to H. P. Blavatsky’s teachings in the Theosophical Society, one of the so-called “root-races” before the “Aryan root-race” were the “Hyperboreans” or inhabitants of the far north (“Hyperborea”). The Big Dipper or Septentriones, pointing to Polaris or the North Star, may be taken thus as an indicator of the way to Hyperborea; i.e., “Hyper-North.” To follow the “Seven Fold Way” is thus to follow the extreme Nordic way. A Processor-like fixation with complementarity can be observed here in that, while the “Seven Fold Way” evokes the stars, the “Seven Fundamental[s]” of The Satanic Temple evokes the notion of foundation (from the Latin fundus, meaning bottom). TST, with its “liberal,” “left-leaning,” “progressive,” “rational” Satanism, provides a basis for the passing of Satanism further into the mainstream of society, widening the pool of initiates who may then rise up from this basic Satanism to an irrational, “celestial,” explicitly neo-Nazi form of Satanism. In this way, the neo-fascist, esoteric “Seven Fold Way” and the crypto-fascist, exoteric “Seven Fundamental Tenets” form one and the same “septenary system.”

In addition to the “Hyperboreans” and “Aryans”, another “root-race” according to the Theosophical Society were the Atlanteans, from Atlantis. These three “root-races” were combined in Ariosophy, wherein “Thule” came to be posited as an Atlantis in the far north where the so-called “Aryan race” developed. This mythical land of Thule was then taken as the name of the “Thule Society,” the Ariosophical sect which had a hand in the development of Nazism and the foundation of the Nazi Party. The top ideologue of the Nazi Party, Alfred Rosenberg (who held a position between 1934 and 1945 with an official title meaning something like “Intellectual and Philosophical Educator and Instructor of the Nazi Party”), wrote openly about this theory of a Hyperborean Aryan Atlantis, thereby adding an “occult” mystique (which he called “the religion of the blood”) to the pseudo-scientific “Nordicist” racial doctrines of American eugenicists, in his book The Myth of the Twentieth Century: An Evaluation of the Spiritual-Intellectual Confrontations of Our Age (1930). Historian James Webb highlights the significance of this work of the Nazi Party’s “Intellectual and Philosophical Instructor” in terms of its relation to the overall ideological project of Nazism in the following terms:

“Rosenberg’s Myth of the 20th Century had sold over a million copies by 1944. It has been the fashion to discount its representative qualities and to point out that Hitler privately described Rosenberg as quite unintelligible. Yet Hitler elsewhere defended Rosenberg as ‘the most acute thinker in questions of Weltanschauung [worldview].’ Rosenberg’s organization could declare without contradiction that the Myth was the most important Nazi text after Mein Kampf. Hitler’s self-distancing from Rosenberg’s production may well have been a tactical maneuver. According to Rosenberg, he gave Hitler the Myth on its completion in 1929. Five months later he received it back from his leader with the comment that it was most ingenious, but that he wondered how many of the party comrades would be able to understand it. Understand it or not, they naturally bought the book. It is not generally realized that The Myth of the 20th Century is merely the most ‘official’ expression of a body of irrationalist opinion quite widely diffused through Germany between the wars. Rosenberg had written one section of what became his book before leaving Moscow in 1917; in 1919 he finished a section on German idealist philosophy; but he seems to have written the bulk of the Myth in the 1920s,” (314).

Continuing to follow the narrative in The Revolt of the Angels, we find that Anatole France relates that after this first Satanic revolt, the angels led by the Seraph (i.e., Lucifer or the “Angel of Light”) are defeated in battle by the angelic forces loyal to Yahweh. At this point, plant and animal life is described as beginning to appear on Earth. The defeated angels, having fallen to Earth, are now demons. Casually glorifying sexual assault and pedophilia, Anatole France informs the reader through the voice of a demon called “Nectaire” that:

“Some of us [demons], being a little unruly, liked to [sexually] grope their [Mankind’s] women and children,” (204).

Anatole France’s “angel” goes on to describe the religious practices of early human societies, identifying the pre-Christian paganism of a quasi-mythologized Proto-Indo-European people or “root-race” (usually identified as “Aryans”) as synonymous with Satanism, as do many, if not most, modern Satanists:

“The wisest among them [early humans, alluding to the ‘Aryan root-race’] observed us in a holy horror and meditated our teachings. In their recognition, the peoples of Greece and Asia [read: ‘Indo-Europeans’ or ‘Aryans’] consecrated to us stones, trees, shadowy woods, offered us victims, sang us hymns; at long last, we were gods for them and they named us Horus, Isis, Astarté, Zeus, Pallas, Cybèle, Déméter and Triptolème. Satan was adored by the names Dionysos, Evan, Iacchos, and Lénée,” (207).

Ironically, a number of the ancient world’s respected historians and theologians, including Tacitus, Lydus, and Cornelius Labeo, identified Yahweh as having been the Jewish equivalent of Dionysus (McDonough 88). We should not, of course, read The Revolt of the Angels with the expectation of coherence; being that Anatole France’s chief concern is Aryanist myth-making, the vilification of the “Semitic” God of the Jews is required at the expense of logic. Thus the mention of Astarte, a Greek goddess of Semitic origin, does not by any stretch unravel our interpretation. Indeed, “[t]he grandfather of all Aryan race theorists, French aristocrat Count Arthur de Gobineau” (1816–1882) posited that the “the Assyrians, with whom may be classed the Jews” were originally of “Aryan stock” (Glazov).

In Chapter 19, the (Indo-European) Greeks are identified as being “regarded by all Demons as a pleasant people,” (211). Here, for “people,” we may read “race.” Anatole goes on to describe this Satanic “Aryan” paradise:

“[T]he Greeks never knew a jealous god. Greece made its gods from its own genius and beauty […] and sometimes, in Athens and Delphes, beautiful young girls, smiling and robust, were seen wearing the entablature of treasures and sanctuaries [likely referring to so-called ‘sacred prostitution’]. Oh, splendor, harmony, wisdom!” (211–212).

A couple of pages later, the rapist god Priapus and the menacing phallic statues which were built to both honor him and signify threat of rape (see: 7.1) are invoked:

“At the door of the garden, where pears and pumpkins ripened and the lily flowered and the acanthus was always green, a Priapus carved from a fig tree trunk, threaten[ed] thieves with his formidable member,” (213–214).

Anatole France, having moved on to praise the Roman Empire, describes Satanic imperialism and slavery as “the most beautiful things”:

“All the countries that the great Dionysus [also known as Bacchus or Satan, according to Anatole (207)] crossed, changing savage beasts into men […] now breathed in the Roman peace. The suckler of the She-Wolf, soldier and road worker, friend of conquered peoples, built roads from the edge of the misty Ocean to the steep slopes of Caucasia; in all cities temples to Augustus and Rome were built and, such was the faith of the universe in Latin justice, that the throats of […] slave[s], close to succumbing under the weight of injustice, cried out, ‘Caesar!’ But why is it that, on this unfortunate world of earth and water, everything withers and dies and the most beautiful things are the most ephemeral? Oh, adorable girls of Greece; oh Science, oh Wisdom, oh Beauty, favorable divinities, you fell into a lethargic sleep,” (215–216).

We can note here that the notion of Satan having “chang[ed] savage beasts into men” clearly implies the attribution of a “subhuman” or Untermensch status to the “non-Aryan” “peoples [outside] of Greece and Asia” (read: Africans), given that Anatole France specifies that it was not the whole of humanity, but rather “[t]he wisest among” early Homo sapiens, “the peoples of Greece and Asia” (indicating Indo-Europeans or what Blavatsky identified as the “Aryan root-race”) who “adored” Satan (215–216; 207). This is confirmed by the fact that Anatole later refers to Africa as “monstrous,” clearly implying a psychotic racial division of the world along Manichean lines, with “Aryans,” “Indo-Europeans,” “Eurasians,” “whites,” or “men” juxtaposed against “Semites,” “Dravidians,” “Afroasiatics,” “blacks,” or “savage beasts” (see below). Considering Anatole’s use of Gnostic concepts such as the “Demiurge” or “Ialdabaoth,” it is not surprising that this theme of racial duality emerges in The Revolt of the Angels, since the “serpent seed” or “two-seedline” doctrine (often espoused by white supremacist sects), which states that Eve was impregnated by Satan in the Garden of Eden, is believed to have originated with Gnosticism.

Close parallels with Nazi ideology are found in the next passage from The Revolt of the Angels, where The Satanic Temple’s favorite author slips back into blatant racism again, explaining how Yahweh, the imposturous “evil god” of the Jews, was able to conquer Rome due to the invasion of “women and priests from Asia and monstrous Africa” and through the invention of the myth of Jesus Christ:

“[W]hile the patient [Roman] legionary camped on the banks of the Rioni and the Don [Caucasian rivers marking the boundary area between Europe and Asia], women and priests from Asia and monstrous Africa were invading the Eternal City [Rome] and disturbing the prestige of the sons of Remus. Until then, the persecutor of industrious demons, Yahweh, wasn’t known in the world that he claims to have created, except by a few miserable Syrian tribes [i.e., Jews; note that the Romans changed the name of Judaea/Judea to Syria Palaestina in 135 AD (Lehmann)], long savage [ferocious] like him, and dragged from servitude [in one place] to servitude [in another, referring to Egypt and Babylon]. Profiting from the Roman Peace [Pax Romana (27 BC–180 AD)], which assured everywhere the freedom of movement and favored the exchange of products and of ideas, this old god [Yahweh] prepared the insolent conquest of the Universe. Incidentally, he wasn’t the only one to try such a thing. In the same time as him, a mob of gods, demiurges, [and] demons […] meditated on grabbing hold of the pacified world. Of all these spirits, Yahweh seemed the least prepared to achieve victory. His ignorance, his cruelty, his pompousness, his superfluous Asiatic extravagance, his contempt for laws, his fondness of making himself invisible, should have offended these Greeks, these Latins, who had received the lessons of Dionysos [Satan] […] He himself sensed that he wasn’t capable of winning the hearts of free men […] [so] he used trickery. To seduce souls, he dreamed up a fable that, without being as ingenuous as the myths […] could touch those with weak minds, who, everywhere, are found in vulgar mobs. He proclaimed that men, having committed a crime against him, a hereditary crime, carried the penalty for it in their present life and in their future life (because mortals imagine wildly that their existence will be prolonged in Hell) and the astute Yahweh made it known that he had sent his own son to Earth to redeem with his blood the debt of Mankind. It’s not believable that punishment redeems sin, and it’s even less believable that the innocent can pay for the guilty. The suffering of an innocent person doesn’t compensate for anything and only adds evil to evil. Nevertheless, miserable beings came forward to adore Yahweh and his expiating son and they announced their mysteries as good news [gospel]. We should have expected this madness. Haven’t we seen countless times these humans, when they were poor and naked, prostrate before all the phantoms of fear, and, instead of following the lessons of favorable demons, obey the commandments of cruel demiurges? Yahweh, through his ruse, netted in the souls. But he didn’t get out of it, for his glory, the result that he expected. It wasn’t him, but his son [Jesus Christ] who received the praise of Mankind and who gave his name to the new religion [Christianity]. He himself [Yahweh] remained more or less ignored on Earth,” (217–218).

Many correspondences can be found between the above passage and the narrative of Christianity’s rise within the Roman Empire presented by Nazi Party “Intellectual and Philosophical Instructor” Alfred Rosenberg in The Myth of the Twentieth Century, published just sixteen years after Anatole France’s The Revolt of the Angels. What Anatole alludes to as “women and priests from Asia and monstrous Africa […] invading the Eternal City and disturbing the prestige of the sons of Remus” (217), Rosenberg identifies as “the […] spread of racial chaos in the ancient world,” and the “distort[ion] and confus[ion] immediately after [Christ’s] death with all the rubbish of Jewish and African life” (30). And Rosenberg clearly echoes Anatole’s talk of “Yahweh [being] known in the world [prior to Christianity, only] by a few miserable Syrian tribes, long savage [ferocious] like him” (217), when he speaks of the spread of Christianity in terms of a Jewish plot to make “the suppressed Jewish national rebellion internationally effective” (30). According to Rosenberg, “[t]he Christian movement, disrupting old forms [cf. Anatole’s ‘lessons of Dionysos’], seemed to the Pharisee Saul [i.e., Paul the Apostle] to hold great promise of practical usefulness [and so he decided to join] its ranks and, possessed by an unrestrained fanaticism, […] preached international revolution against the Roman empire,” (30). The contempt for those who Anatole describes as the “poor and naked” of the Greco-Roman world, “miserable beings [who] came forward to adore Yahweh and his expiating son” and help spread the gospel (218) is palpable when Rosenberg speaks of “[t]he Jews in Rome [knowing] very well what they were about when they placed their synagogues at [Paul the Apostle’s] disposal as places wherein he could make his proselytising [Christian] speeches” so that “[t]he parasitic Jew [could mingle] with the scum of all peoples,” (30, 226). Finally, much in the same way that the proto-fascist antisemite Anatole France posits Christianity as not having worked out exactly as the “Jewish god” Yahweh (God the Father) had expected, with Christ (God the Son) upstaging the former, official Nazi Party ideologue Rosenberg laments that “[i]n spite of all subsequent attempts at reform [i.e., ‘to defend Christianity against this collective bastardisation, orientalisation, and Judaisation’, or to make Christianity ‘an extension of ancient Aryan moral precepts’ by attributing these to Christ], [Paul the Apostle’s] teachings still remain the Jewish spiritual basis, the Talmudic oriental aspect of both the [C]atholic and the Lutheran churches,” (30–31).

From this comparative analysis, it is quite clear that, in effect, “the myth of twentieth century” is “the revolt of the angels”! Anyone who has studied and understood one of these works will, upon studying the other, instantly recognize and understand it as a parallel, as saying in prose what the other says in poetry. By reading and comprehending The Revolt of the Angels by Anatole France, one has already understood The Myth of the Twentieth Century by “Intellectual and Philosophical Educator and Instructor of the Nazi Party” Alfred Rosenberg, and vice versa. The Satanic Temple’s masterminds no doubt understand this.

The Myth of the Twentieth Century (1930) is not the only major Nazi work in which echoes of the Satanic Revolt of the Angels (1914) are to be heard. Let us compare a previously quoted passage from this last work with one from Adolf Hitler in Mein Kampf (1925). Where in The Revolt of the Angels, Anatole France asks why “temples to Augustus and Rome […] fell into a lethargic sleep” (215–216), Hitler in Mein Kampf supplies the answer, noting that “Christianity was not content with erecting an altar of its own [but rather] had first to destroy the pagan altars,” (352). Where Anatole questions in lamentation, “[W]hy is it that, on this unfortunate world of earth and water, everything withers and dies and the most beautiful things are the most ephemeral?,” Hitler responds in Mein Kampf, “Each one of us to-day may regret […] the advent of Christianity […], but the fact cannot be denied that ever since [‘the advent of Christianity’,] the world is pervaded and dominated by this kind of coercion and that violence is broken only by violence and terror by terror [and ‘only then’ (after) ‘(a) philosophy of life which is inspired by an infernal spirit of intolerance (of ‘pagan altars’; i.e., «Christianity»)’ has ‘be(en) set aside by a doctrine that is advanced in an equally ardent spirit’ (i.e., ‘{a} philosophy of life’ that is of ‘an equally {«infernal»} spirit’, such as Nazism, Eurocentric neo-paganism, or Satanism)] can a new [Nazi or Satanic] regime be created by means of constructive work,” (352, my words in italics). Where Anatole speaks of “[Yahweh’s] sens[ing] that he wasn’t capable of winning the hearts of free men [leading him to resort to] trickery” and of “[the ‘hooked nose’ demonic Jew’s business] overflow[ing] with the plunders of Christian Europe,” Hitler claims that “we find throughout the history of the world […] a specifically Jewish mode of thought” involving the “substitut[ion]” of individual “personality” with “the domination of the masses” by means of “certain tricks” derived from ancient “ruses and stratagems which man employed to assist him in the struggle with other creatures for his existence” (344–346)

The above-cited comments of Hitler in Mein Kampf are enough to demonstrate the plausible authenticity of Hitler’s recorded private statements in Hitler’s Table Talk (a work which crypto-fascist historians such as Holocaust denier-sympathizing “New Atheist” Richard C. Carrier have attempted to discredit due to its clear exposure of Hitler’s anti-Christian worldview), where Hitler explicitly links Christianity and Marxism, calling the former “a prototype of Bolshevism” and asserting that both were “inventions of the Jew” designed to “mobili[ze] masses of slaves” and “undermin[e] society,” in addition to attributing the decline of the Roman Empire to “[t]he Bolsheviks of their day,” by which he means Christians (Trevor-Roper 7, 75–76, 79; see also “Preface”).

The attentive reader, recollecting the Preface to Anatomy of a Crypto-Fascist Sect, may also have already noticed that the narrative found in The Revolt of the Angels is virtually identical to that presented by Madison Grant in The Passing of the Great Race, a book published in 1916, just two years after The Revolt of the Angels. Adolf Hitler is known to have “quoted liberally from Grant in his speeches,” and even wrote the latter a letter in which he declared The Passing of the Great Race to be his “bible” (Ryback). Attesting to the fact that Anatole France was part of an international wave of eugenicist, social darwinist, anti-Christian (read: Satanic) thought that set the stage for the rise of Nazism and the Holocaust, Madison Grant argues:

“Early ascetic Christianity played a large part in [the] decline of the Roman Empire, as it was at the outset the religion of the slave, the meek, and the lowly [i.e., those ‘predominantly of Mediterranean and Oriental blood’; cf. Anatole France’s talk of the ‘poor and naked’ of the Greco-Roman world, ‘miserable beings (who) came forward to adore Yahweh and his expiating son’], while Stoicism was the religion of the strong men of the time [i.e., the ‘Nordic’ ‘master race’; cf. Anatole’s ‘pleasant people’ (211), the ‘wisest’, ‘the peoples of Greece and Asia’ (207)]. This bias in favor of the weaker elements greatly interfered with their elimination by natural processes, and the fighting force of the empire was gradually undermined. Christianity was in sharp contrast to the worship of tribal deities which preceded it, and tended then, as it does now, to break down class and race distinctions [cf. Anatole’s idealization of slavery under the Roman Empire and lamentation of the latter’s disappearance: ‘the throats of (…) slave(s) (…) cried out, ‘Caesar!’ But why is it that, on this unfortunate world (…) everything withers and dies and the most beautiful things are the most ephemeral? (215–216)]. Such distinctions are absolutely essential to the maintenance of race purity in any community when two or more races live side by side,” (97–98).

It is clear that, for Anatole France, as for the Nazis and their American counterparts in the eugenics movement, such as Madison Grant, the “problem” with Christianity is its Jewish origin. In The Revolt of the Angels, it is the fact that Yahweh, god of “savage beasts” and “miserable Syrian tribes,” has become, via Christianity, God the Father, which renders God the Son contemptible. In the worldview which emerges from this work, in combination with other Satanic Temple favorites, we are necessarily confronted with the idea that it is the Satanist’s task to—in the words of William Blake—“abolish the Jewish Imposture” at the core of Christianity and, in wake of this, revitalize the religion of “the peoples of Greece and Asia” (Indo-Europeans or “Aryans,” who owe their humanity and spiritual superiority to Satan). In this way, “literary” Satanism is synonymous with Eurocentric neo-paganism. For these “literary” Satanists, the concern with Christianity’s Jewish genetics plays not only on notions of non-Aryan spiritual inferiority, but inferiority in a material, biologically “dysgenic” sense as well. Indeed, we saw that both William Blake and Anatole France evoke the “racial” Jew, the “long spindle nosed rascal,” the “hooked nose” of the “pure Semitic type,” who naturally marries “an ugly woman” and produces ugly offspring. Just as biological “miscegenation” is blamed for the destruction of “Aryan” physiognomy, so is the figure of Jesus Christ—as the Son of a “miserable,” “savage,” “tribal” god (and therefore a product of spiritual “miscegenation”)—blamed for the destruction of “Aryan” religion.

At the same time, the apparent ease with which white supremacists alternate between Satanist and Christofascist iterations of antisemitism is explained by the fact that, in Christofascism, the “problem” with Christianity is reframed as the Jewish origin of a mere half of it (e.g., the “Semitic” Old Testament, in contrast to the “Aryanized” New Testament, as in “Positive Christianity”). Incidentally, it is for this reason that it can be said that Christofascism is a halfway stop on the way from Christianity to Satanism. Sects like “Christian Identity” are crypto-Satanist insofar as they represent an attempt by Satanists to draw those who would reject the idea of openly Satanic and pagan Nazism towards this point of view. In this sense, Christofascism could also be called a kind of half-hearted Satanism.

 

 


CONTINUE READING9. Conclusion

OR RETURN TO TABLE OF CONTENTS (Anatomy of a Crypto-Fascist Sect: The Unauthorized Guide to “The Satanic Temple”)


 

Pinkwashing: How “The Satanic Temple” Exploits LGBTQ+ Causes as a “Progressive” Fig Leaf

In addition to attempts to shroud its crypto-fascist rape culture with a condescending (pseudo-)“feminist” veneer, another major touchstone of The Satanic Temple’s claims to represent a “progressive” or “left-leaning” tendency within modern Satanism is constituted by the group’s efforts to attach itself to LGBTQ+ (lesbian, gay, bisexual, transgender, queer, etc.) causes. This can be seen, for example, in the fact that in recent years, contingents of TST members have made appearances in Pride marches (TST AZ, Satanic Temple Seattle). TST’s supporters often cite their support for “LGBTQ+ rights” as a way of derailing conscientization of their underlying ties to white supremacism and neo-fascism.

We see an example of this in Satanic Temple co-founder Douglas Misicko’s essay “Down the Spiral of Purity,” written in response to the secession of the Los Angeles chapter of TST in an act of protest against his decision to associate TST with Marc Randazza, a lawyer who habitually defends right wing extremists in court and has been involved in the case Sines et al v. Kessler et al, whose defendants include members of the neo-Nazi terrorist groups that orchestrated the violent attacks on anti-racists during the infamous August 2017 “Unite the Right” rally in Charlottesville, Virginia. In the essay, Misicko dismisses the assertion of “Jex Blackmore,” a former leading member of TST turned critic who cited a lack of diversity within TST as a reason for leaving the group, by countering with the claim that “it’s certainly likely that over half of leadership and membership [of TST] are in the LGBTQ+ community[.]”

This is the same line of reasoning employed by retired US military intelligence officer and “Setian” Satanist Michael Aquino to defend his Satanic cult, the Temple of Set, from allegations of neo-Nazism extending from his fawning over Mein Kampf and pilgrimage to Wewelsburg Castle (a site strongly associated with Nazi occultism) by “pointing out that several members of the Temple of Set were of Jewish origin” (Introvigne, Satanism 351). As we saw in 6.1.1 and 6.3.3, this duplicitous claim, from the Satanist point of view, only strengthens the neo-Nazi character of the Temple of Set, since the “orthodox” Satanic opinion is that Adolf Hitler and other leaders of Nazi Germany were of Jewish origin (LaVey, Satan Speaks! 22–23). Therefore, according to the logic of Satanism, neo-Nazism in its truest form would, correspondingly, also have to be led by persons of Jewish origin.

We must anticipate that a similar line of reasoning would be applicable in the LGBTQ+ domain, but this time with a slight basis in reality. That is to say, since it is known that homosexuality was tolerated for a time within the Nazi Party, with a section of the Nazi movement’s leadership having been all but openly gay, it would be logical to posit that neo-Nazi movements would similarly include members of “the LGBTQ+ community.” In particular, Ernst Röhm (1887–1934), who led the paramilitary wing of the Nazi Party (i.e., the Sturmabteilung [SA] or “Storm Attachment,” also known as the “Brownshirts”) from 1931 to 1934, is noted as having been “the highest-ranking gay Nazi” (Wills). Another high-ranking Nazi known to have been gay was Edmund Heines (1897–1934), who Hitler appointed “to deal with ‘all matters relating to the youth movement’” (i.e., the Hitler Youth) in 1925 (Simkin, “Edmund Heines”). And in Berlin, the local “supreme leader” of the Brownshirts, Karl Ernst (1904–1934), had formerly worked at a nightclub “advertised [during the] interwar [period as a] destination for transvestites and transsexuals” (Simkin, “Karl Ernst”; Hopper). Although the aforementioned individuals were purged from the Nazi Party during the “Night of the Long Knives” in 1934, crossdressing nevertheless remained a popular pastime among members of Nazi Germany’s Wehrmacht (which existed from 1935 to 1945). (Note that while—in my opinion—crossdressing does not necessarily imply being gay, not all sincere LGBTQ+ rights advocates agree, and the two have often been perceived as closely correlating; for example, according to the renowned transgender rights activist Sylvia Rivera [1951–2002], “Transvestites are homosexual men and women who dress in clothes of the opposite sex” [Sandeed]). And although crossdressing was not unheard of among members of other nations’ militaries, it is said to have “happen[ed] way more in [Nazi] ranks” (Hopper). Similarly, the historian Lothar Machtan argues in The Hidden Hitler (2001) that the leader of Nazi Germany was a closeted homosexual. Though subject to dispute, this thesis is certainly more plausible than LaVey’s (which says that Hitler was a closeted Jew).

Even if it were possible to falsify Machtan’s thesis by proving with absolute certainty that Adolf Hitler was definitely 100% heterosexual, we should not forget that occultism is defined precisely by the embrace of “rejected knowledge,” irrationalism, and notions of “subjectivity” and “acausality” (Webb). The mythos of the “Pink Swastika,” though bordering on homophobia itself when used to say or imply that “gays caused the Holocaust” or “male homosexuality inevitably leads to atrocities and mass murder,” can be (and has been) picked up and championed by gay reactionaries and neo-Nazis looking to “innovate” their image. This is just another form of “pinkwashing,” a term referring “to the promotion of LGBT rights […] in order to mask other human rights oppressions” (Browne).

A striking example of this kind of neo-Nazi pinkwashing can be seen in the logo and “merch” of the band Death in June, which (as shown in sub-section 3.1) exists in the social orbit of The Satanic Temple, since Boyd Rice (a member of Death in June “for nearly two decades” who described the band as “very racialist-oriented”) collaborated with TST frontman Douglas Misicko to produce Satan Superstar, a book published in 2018 (Merlan, “Trolling Hell”; “Boyd Rice on Racist TV Show”).

death in june merch

Figure 7.10. These patches produced by the Satanic Temple-linked band Death in June, whose frontman Douglas Pearce is gay, feature Nazi symbols including the death’s head (or totenkopf) and the “black sun,” combined with the rainbow gay pride flag (DEATH IN JUNE Official Site). The band’s name (Death in June) refers to the Night of the Long Knives (which took place in late June 1934), when Ernst Röhm and other members of the Nazi Party’s “Brownshirt” paramilitary organization who were attracted to members of the same sex were executed. Pearce has explicitly acknowledged leading members of the Nazi Party “like Gregor Strasser and Ernst Röhm” as inspiring Death in June’s “political view for the future,” (Hatewatch Staff).

The pinkwashing of neo-fascism under the guise of Satanism is intimately tied up with the kind of eroticization of Nazism which was put on display at the “Black Mass” held by The Satanic Temple in Los Angeles in 2017, “billed as the largest Satanic gathering in history” (Wikipedia editors, “The Satanic Temple”; 6.3.3). Susan Sontag, a culture critic who was herself bisexual, observed in 1974 that “it is among male homosexuals that the eroticizing of Nazism [and the attachment of sadomasochism to Nazi symbolism] is most visible” and asked, “How could a regime which persecuted homosexuals become a gay turn-on?” The answer to this question would appear to lie in what film critics Joan Picart and David A. Frank discuss as “the triumph of fantasy in the face of increasing commercialization of the Holocaust” in relation to Apt Pupil, a horror film from 1998 dealing with themes of homophobia and homoeroticism in which a teenage American boy develops a bizarre and inappropriate relationship with his elderly neighbor after discovering that the latter is a fugitive Nazi war criminal. It would seem that as the erotic desire to fulfill the fantasy of the ultimate sexual experience of the sadomasochistic type came to be translated into a market demand that could be met with “sexy” commodities evocative of the Nazi regime, a process of alienation took place vis-à-vis historical memory.

It certainly seems “weird” that “a regime which persecuted homosexuals [could] become a gay turn-on.” But was this “destined” to be? Although they differ in etymology, the words “weird” and “queer” phonetically resemble each other closely and can have the same meaning. This is interesting because the concept of “Wyrd,” an Old English word meaning destiny or fate and the source of the modern English word “weird,” is a regular trope in the discourse of both the Temple of Set and the Order of Nine Angles, ideological cousins of The Satanic Temple. Etymologically, wyrd is believed to come from the Proto-Indo-European root *wer-, meaning “to bend” (i.e., to make not straight). Although we can say in retrospect that the weird appearance of the idea of “queer” or “gay Nazism,” both as fantasy and as reality, was determined (and therefore “destined” in a way) by certain definite causes, we might also predict that the “Pink Swastika” is likely to be destined to disappear with critical conscientization of how the Nazi linking of homophobia and homoeroticism comes fundamentally from a place of alienation, which most will subsequently desire to overcome. The Nazi homophobia-homoeroticism complex evinces alienation in at least two senses. If evidence of a link between “homophobia [and] individuals with an unacknowledged attraction to the same sex” (alienation from oneself) is not sufficient to form a unique “explanation for [all] homophobia,” then it would be a question of alienation from historical memory for those who acknowledge their same-sex attraction but nevertheless indulge in the fantasy of projecting their sexuality through the prism of Nazism (Bronski et al.).

We can observe that Misicko’s application of the “But We Are Inclusive” trope appears to be executed with a noticeably higher level of sloppiness than Aquino’s however, due to the impoverishment of his argument in terms of intersectionality theory. In “Down the Spiral of Purity,” Misicko demonstrates some awareness of the fact that having TST members who “are in the LGBTQ+ community” means nothing in terms of disproving the fact of the group’s lack of diversity in terms of “race,” noting that “[i]t is true that People of Color have been slow to embrace Satanism.” This certainly comes as no surprise, since, as we saw in 4.1.1, there is a particularly strong disdain within Satanist circles for African-American Christians, with numerous individuals leaving hateful comments on a Youtube video titled “Crazy Black Christians Protest Baphomet Statue,” from the time in 2015 when all-white mobs of Satanic Temple supporters invaded the Black-majority city of Detroit for a Satanist party where a banner displaying a neo-fascist symbol used by the “anti-anti-racist” band Crass (based on the Nazi “broken sun cross” symbol) was hung from the stage.

In “Queer Fascism: Why White Nationalists Are Trying to Drop Homophobia,” an anonymous antifascist author points out that the effort by segments of the neo-Nazi movement, including the so-called “Alt-Right,” to combine “queer identity with open fascism” and make neo-fascism appealing to gay men in particular “may seem bizarre to those who understand white nationalism [as] just existing on the far right of a left-right spectrum, where homophobia seems like it would come before the open racialism,” (AntifascistFront). It is this overly diagrammatic, vulgarized view of political opinions as existing along a fixed “spectrum” which crypto-fascists exploit to conceal their genuine political position. If a person operates with this superficial understanding of politics in mind, they are likely to be easily duped into discounting allegations of crypto-fascism against The Satanic Temple, uttering, “But they can’t be neo-fascist; they support gay rights!” as a kind of knee jerk response. Likely they also place so-called “conspiracist ideation” on the far-right end of the political spectrum. People of this sort should be reminded that there is nothing “new” or “innovative” to this deceptive cherry-picking of a few “left-wing” positions, because Nazism, with its “sinister runic humbug” and false pretensions of being the real “socialism,” has been synonymous with crypto-fascism from its inception. What needs to be done in order to fight the type of fascism which is of concern here then is to raise awareness of this fact and foster conscientization of the development of modern Satanism in terms of its material role in the re-encryption of fascism post-WWII, gone into hyperdrive under the guise of “The Satanic Temple” since 2013. When didactic diagrams of the political “spectrum” block critical thinking by reifying ideology, they become a hindrance to the conscientization of theology.

Those who obstinately hold on to the notion of a “left-wing Satanism” in the face of the mountain of evidence falsifying the plausibility of such a thing’s material existence constituted by the research compiled for this work, such as the members of the former Los Angeles chapter of The Satanic Temple who broke away to form their own micro-sect (“The Satanic Collective”) in response to TST and Misicko’s relationship with Randazza, remain mired in the same ideological idealism that allows neo-fascism to memetically spread itself through encryption as “modern Satanism” in the first place. The idea of a “left-wing Satanism” is as absurd as that of a “left-wing Nazism.” Incidentally, this is exactly how many neo-fascists attempt to make open Nazism viable again, by “profess[ing] to see themselves more in the tradition of the Nazi Party’s Strasserite ‘left’ than as Hitlerites” (Young, my scare quotes). (Note that Strasserism is a brand of Nazism associated with Gregor [1892–1934] and Otto Strasser [1897–1974], two brothers who jockeyed with Hitler for power and influence within the Nazi Party). Just as the idea of a “Nazi Left” depends on not only the removal of the Nazi Party from a wider historical context outside itself and any semblance of an understanding of the material results of Nazism, but also on the idealistic conceptualization of a “circular” or “horseshoe”-shaped political spectrum where anti-capitalism seems like it would come before antisemitism, so does the idea of a “Satanic Left” depend on ignorance of modern Satanism’s post-WWII development under the steady influence of the far-right and Western “intelligence community” projects and operations (themselves rooted in Nazi research and interest in the occult), as well as on an aestheticized political arena in which one cannot move to confront Christofascism without passing through a Satanic anticlericalism. Those who have split with TST over its ties to the “Alt-Right” but nevertheless attempt to protect their egos by clinging to Satanism and claiming to independently carry on the “true” Satanic “Reformation” are the Strasser brothers of modern Satanism. By sowing more illusion in the viability of “left-wing Satanism,” they only reinforce crypto-fascism. Indeed, in the conclusion to this Unauthorized Guide we will see that virtually every example of “left-wing Satanism” outside TST which has been cited by apologists for such a concept who nevertheless recognize the “problematic” aspects of TST reveals itself to be a farce.

 

 


CONTINUE READING… 8. A “Literary” Satanism? Decrypting Proto-Fascist and Antisemitic Themes in The Revolt of the Angels by Anatole France

OR RETURN TO TABLE OF CONTENTS (Anatomy of a Crypto-Fascist Sect: The Unauthorized Guide to “The Satanic Temple”)

On the Psychological Projection of Antisemitism by Satanists

Earlier in this chapter, we touched on the fact that, besides drawing on the paranoia of the anti-communist Red Scare of the 1950s, there was also an implicitly antisemitic component to the anti-psychiatry campaign of the Church of Scientology (6.3). We observed how Scientology inaugurated the modern anti-psychiatry tradition (of which The Satanic Temple partakes) with the publication in 1955 of Brain-Washing: A Synthesis of the Russian Textbook on Psychopolitics, a Protocols of the Learned Elders of Zion-esque booklet which was falsely purported to have been authored by Lavrenti Beria (an infamously sexually predatory Stalinist politician who has often been falsely identified as a Jew by antisemites) and which alleged that the Soviet Union was suppressing L. Ron Hubbard’s “Dianetics” and manipulating American psychiatry in order to transform it into a force for Communism’s covert subversion of “American democracy.” Furthermore, we saw how there were well-known tendencies in the popular imagination of the 1950s (which persist to this day) to link Jews to both Communism (e.g., through the myth of “Judeo-Bolshevism”) as well as to the fields of psychiatry, psychology, and psychoanalysis, which have in antisemitic circles often been collectively labeled “Jewish science.”

These constatations invite further analysis of the relation between antisemitism and The Satanic Temple, including the latter’s anti-psychiatry and gaslighting campaigns and the group’s political interpretation of Satanism in general. Given that the road to the emergence of The Satanic Temple in early 2013 was fundamentally paved in many ways by the older “LaVeyan” Church of Satan (a fact which is readily acknowledged and recognized by TST’s leaders, who frame the Satanism of TST as “a natural progression of LaVey Satanism” [Smith]), we should take LaVey’s sect into consideration here as well. Indeed, Satanic Temple co-founder Douglas Misicko has called Anton LaVey “an excellent jumping-off point” and described TST as “adding to LaVey,” suggesting that TST’s politics cannot be fully contextualized without evaluating those of the Church of Satan, particularly during the period from 1966 to 1997 during which LaVey was at the organization’s helm (Bugbee, “Unmasking”).

There is a need to clearly illustrate and establish the undeniable factuality of modern Satanism’s antisemitic character, particularly given that claims relating to the founder of the Church of Satan’s (i.e., Anton LaVey’s) allegedly “Jewish” ethno-racial identity are often used to deflect criticisms of modern Satanism’s relationship with the far-right, not unlike the way in which the conversion of US president Donald Trump’s daughter, Ivanka, to Judaism is used by some neo-fascists to obfuscate the reality of Trump’s ties to right-wing extremism and antisemitism (Jong-Fast). We might similarly anticipate that The Satanic Temple, when confronted with its putrid antisemitism, would point to co-founder Cevin Soling, who identifies as a “secular Jew,” in an attempt to discredit allegations of the group’s neo-fascist and antisemitic affinities. It is therefore vital to pre-emptively demonstrate TST’s antisemitism now, before the apologists come in with their obfuscation tricks.

One tactic used by The Satanic Temple to discredit opposition to Satanism (which is related to the use of LaVey’s alleged “Jewishness” as a shield from criticism of modern Satanism’s affinities with neo-Nazism) is to attempt to link the so-called “Satanic Panic” and “modern day witch-hunt[ing]” (a phrase Misicko invokes here, for example) to antisemitism. This effort constitutes a means of projecting antisemitism onto critics of modern Satanism. The “modern day witch-hunt” narrative is something which TST has clearly attempted to play up in having chosen the symbolically significant location of Salem, Massachusetts for the sect’s headquarters. This dubious operation would have us believe, incorrectly, that “Semitism” is interchangeable with “Satanism” and that “pogroms” are essentially the same as “witch-hunts.” By conflating antisemitism with anti-Satanism, TST and other modern Satanist groups seek to create a kind of “victim status” for Satanists, in this way sucking like bloodthirsty, hypocritical leeches on the real suffering of the Jewish people in order to concoct a false narrative in which white supremacists, imperialist militarists, and neo-Nazis get to play the part of members of an oppressed and persecuted class by identifying as “Satanists.” In the process, they perpetuate the defamatory thesis of a link between Jews and Satanism.

We find this tactic employed on a web page titled “The Satanic Temple Library,” which can be found on the crypto-fascist sect’s official website (“thesatanictemple.com”). On this web page, The Satanic Temple recommends a book called The Devil and the Jews: The Medieval Conception of the Jew and Its Relation to Modern Anti-Semitism (1943) by Rabbi Joshua Trachtenberg (1904–1959). TST inaccurately describes Trachtenberg’s book as “demonstrat[ing] the inextricable relationship between the medieval demonization of Jews and the Satanic Panic libels of modern days.” The falsity of the claim made in this description is obvious and easily demonstrable; since the book’s author died in 1959, long before the fabled “Satanic Panic of the 1980s and 1990s” had ever supposedly taken place, it contains no references to “Satanic ritual abuse,” “day-care sex-abuse hysteria,” or anything of the sort. Whether TST leadership has actually read The Devil and the Jews or are even aware of the fact that it was originally published in the 1940s seems doubtful; no publication date is given on the “Satanic Temple Library” page and the hyperlink given to buy the book on Amazon leads to a more recent edition of the book, published in 2002. Not only is Trachtenberg’s thesis in The Devil and the Jews completely unrelated to trying to prove any sort of relationship between modern antisemitism and the so-called “Satanic Panic of the 1980s and 1990s” (an ahistorical absurdity since it was published in 1943), but the author actually provides several powerful counterarguments to the moral panic narrative’s framing of the “Satanic Panic of the 1980s and 1990s” as “a modern day [antisemitic] witch-hunt,” such as by showing that antisemitic persecution during the medieval and early modern periods was a distinct phenomenon from that of witch-hunting.

Although Trachtenberg does argue, quite reasonably, that “the [antisemitic] medieval conception of the Jew” placed “the Jew […] in a similar category” to “the heretic and sorcerer and witch” (as both categories represented “hated and hunted class[es] in European society”), he also notes their “conspicuous independence” from one another (215–216). Elsewhere, Trachtenberg highlights the fact that Jews, especially Jewish women, were almost entirely spared by the witch-hunts. Trachtenberg writes:

“Among the thousands of witch trials on record, spanning several centuries, there is one case—‘in all probability the only one’—involving a Jewess; and the sequel cleared even her of guilt,” (86).

This fact—that Jewish women were virtually unscathed by the witch-hunting phenomenon—may have played into the Nazi fantasy that the witch-hunts were a “Judeo-Christian” conspiracy to destroy “Aryan womanhood,” a theory which the SS Hexen-Sonderkommando (“Witches-Special Unit”) under Heinrich Himmler were given the task of gathering evidence for and attempting to prove in 1935 (for more on this, see 7.3).

Not only does Trachtenberg show that Jews were massively underrepresented in witch trials, but he also draws attention to the striking fact that witches were associated with the victimization of Jews. Trachtenberg notes that there was a commonly held notion in the folklore of Christian Europe that “the most successful witchcraft” resulted from “the use of Jewish blood” to sign a “pact with the devil,” later adding that there was “universal acceptance of this superstition” (140–141, emphasis in original). As evidence, Trachtenberg cites one case from 1784 in which “two [Gentile] women were broken on the wheel in Hamburg for having murdered a Jew in order to get his blood for [signing a pact with the devil,]” and another case from 1507 in which Franciscan friars accused Dominican friars of having “used the blood and eyebrows of a Jewish child for secret purposes,” (141, emphasis in original). In other words, witches were Jew-killers.

Thus it is incoherent and ahistorical to claim that “Satanic Panic” represents both “modern day witch-hunting” and “modern day blood libel.” Accusations of “witchcraft” (virtually always levelled against Gentiles) and “blood libel” (levelled against Jews) are not interchangeable, as witches and Jews were, for practical purposes, not the same social category in medieval and early modern society. Of course, this does not preclude the fact that there was some conceptual similarity in how they were depicted in literary and artistic representations or abstractly imagined insofar as there was a tendency for both to be demonized and portrayed as being in league with the Devil. What Trachtenberg is highlighting and criticizing is “the medieval conception of the Jew” (that is, the demonization of Jews or the antisemitic view of Jews as evil), not the conception of evil or the possibility of righteously demonizing something which actually is evil in and of themselves. The concepts of Satan, demons, and demonology are a part of Judaism (Cooper, JewishVirtualLibrary.org, MJL). If Trachtenberg’s point was that demons should not be demonized or that Satan should not be satanized, then he would be negating Jewish concepts. Rather, his point is to show how these concepts were abused by “medieval Christian fanatic[s]” and how modern antisemitism is rooted in this medieval fanaticism. By attempting to conflate witches and Jews (or Satanists and Jews, or Nazis and Jews, or the Devil and the Jews), modern Satanists reveal that they themselves actually subscribe to the medieval conception of “the ‘demonic’ Jew”; they gleefully accept, and do not attempt to challenge or dispel, the antisemitic demonization of Jewry.

Moreover, The Satanic Temple’s insinuation that “Satanic Panic” represents the “[blood] libels of modern days” is equally offensive for the reason that it represents an erasure of the fact that blood libel did not disappear with the passing of medieval times. On neo-fascist corners of the internet (e.g., the 8chan message board “Q Research”), antisemites can still be found promoting the blood libel claim, such as in an obviously forged interview staged by two white supremacists, with one of them impersonating a coil-curl merging “rabbi” who uses the term “goyim” as a singular noun and claims that “we [Jews] mix [children’s blood] with our passover bread” (Quora, “Is Abe Finkelstein a real rabbi?”). To claim that opposition to “modern Satanism” (which has been, since its inception, closely attached to right-wing extremism and neo-Nazism) is “the new antisemitism” is to belittle and erase the ongoing existence of real antisemitism.

It’s also worth noting that Trachtenberg, a rabbi, concludes his study, published during the middle of the Holocaust, with a clear allusion to Nazism and its twin doctrines of a neo-pagan “religion of the blood” and so-called “Positive Christianity,” and that he does not hold antisemitism—an “offshoot of medieval Christian fanaticism”—to be a true Christian value, but rather, on the contrary, he explicitly identifies antisemites as enemies of “all Christian values,” noting:

“The Christian religion is in disfavor today among certain leading antisemitic circles whose consuming aim it is to destroy all Christian values; among others hatred of the Jew is preached in the name of a hypocritical and false Christianity. Whatever their attitude toward the teaching and the church of Jesus, this one offshoot of medieval Christian fanaticism, antisemitism, makes them kin. […] Antisemitism today is ‘scientific’ […] To the modern antisemite […], the Jew has become the international communist or the international banker, or better, both. But his aim still is to […] enslave [the world] to his own—and the word is inescapable—devilish ends. Still the ‘demonic’ Jew. . . .” (219–220).

It is revealing that we find this exact antisemitic caricature—the “international [‘demonic’ Jew] banker”—in The Satanic Temple’s number one “primary reading,” The Revolt of the Angels (1914) by Anatole France; however, we will save analysis of this work, its antisemitic content, and TST’s pretentious “literary Satanism” for Chapter 8.

Satanists, including those belonging to or associated with The Satanic Temple, frequently tout the apparent irony that, despite openly collaborating with neo-Nazis and promoting their work, Anton LaVey had some Jewish ancestry. Often the “fact” of Anton LaVey’s Jewishness is waved about by Satanists as though it were a kind of talisman that would somehow magically dispel the link between Satanism and antisemitism via the former’s persistent ties to neo-Nazism.

The Church of Satan’s official claim, put forward in The Secret Life of a Satanist: The Authorized Biography of Anton LaVey by Blanche Barton, is that LaVey had one Jewish great-grandparent (19). Given LaVey’s self-declared attraction to Nazism and known links to neo-Nazi groups (elaborated below), it is reasonable to take Satanist claims that LaVey was “a Jew” with a very large grain of salt. LaVey wrote explicitly and seemingly with awe and approval about the fact that “the Nazis ‘Aryanized’ certain needed Jews” (Satan Speaks! 8). According to the Nuremberg Laws introduced in Nazi Germany in 1935 to define who was a member of the “Jewish race” and who was not, a person having one-eighth “Jewish blood” (i.e., one Jewish great-grandparent) could be considered to be “of German blood” (Grenville 320, USHMM). The pseudoscientific Nazi scheme of Jewish racial pedigree stopped at “Mischling of the second degree,” or “quarter Jew,” meaning a person with one Jewish grandparent (rice.edu). Thus, by Hitlerian standards, LaVey, even with his one Jewish great-grandparent, would not have been considered a Jew, racially or otherwise. This fact should certainly not be discounted when considering his fondness for Nazism and his looking up to the Nazi concept of “Aryanization” as a model for Satanists to follow.

We find an example of this bandying about of LaVey’s atavic “Jewishness” as a protective shield for neo-Nazi discourse in The Suffering and Celebration of Life in America (2013) by Shane and Amy Bugbee (close associates of Satanic Temple co-founder Douglas Misicko on their Satanic internet radio program in the 2000s). In that book, Amy Bugbee discusses her husband’s history of involvement with the neo-Nazi musical act RaHoWa (short for “Racial Holy War”) and his republication of the book Might is Right, which, she mentions, “is not only a cornerstone of Satanism, but also of the modern White Power movement” (90). Amy Bugbee attempts to portray Shane Bugbee’s direct role in promoting neo-Nazi music and literature as examples of his undying activist passion for “defending free speech” (my scare-quotes). Accordingly, she paints those who accused Shane Bugbee of being a white supremacist as “furious white boys” who, by opposing his decision to include neo-Nazi music at a rock music festival, were opposing “free speech.” This description of her husband’s antifascist opponents as “furious white boys” is telling. It can be taken as an attempt to imply that so-called “white people” who oppose fascism’s call to “preserve the white race” through “anti-miscegenation” laws and other “legal” (criminal) measures, such as genocide, are mental slaves to any one of those right-wing canards such as “political correctness,” “reverse racism,” or “Cultural Marxism,” which are said to lead “white people” astray, into hating “their own race.” If Amy Bugbee, who has stated as a matter of public record that she believes that she does not belong to the same species as “blacks or Asians” (“Might is Right Special” 19:27:30–20:03:50), would be a slightly less cryptic neo-fascist, she might have opted here to use the term “race traitors” instead of “furious white boys.” Amy Bugbee assures the reader that before making the decision to include the neo-Nazi band RaHoWa in a mix CD given away as a freebie at the 1995 Milwaukee Metal Fest, Shane Bugbee consulted a “Jewish woman” and “black artist” who, conveniently, were both free speech absolutists and told Shane Bugbee that not promoting neo-Nazi music would amount to censorship! Straining credibility even further, Amy Bugbee claims that white supremacists made death threats against Shane Bugbee because of the fact he published new editions of the book Might is Right that included an introduction by Anton LaVey, whom Amy Bugbee describes as “a Jew by birth” (90), although she neglects to mention that Katja Lane, whose husband David Lane was the originator of the infamous “14 words” slogan and the getaway driver for the neo-Nazi terrorist group “The Order” in its assassination of the liberal Jewish radio talk show host Alan Berg, and RaHoWa’s George Burdi (1970–present), a neo-Nazi skinhead musician convicted of violently assaulting an antifascist protester after one of his concerts, and Douglas Misicko, the eugenicist who would go on to found The Satanic Temple, also contributed to Shane Bugbee-published editions of Might is Right. Nor does she mention that, under Nazi law, LaVey would not have been considered a Jew. Given Amy Bugbee’s omission of her husband’s other neo-Nazi connections and her own racist affirmations, it is obvious that the way LaVey’s supposed “Jewishness” is upheld in the Bugbees’ book is nothing more than an attempt to ward off accusations of neo-Nazi sympathies—but these cannot be so easily dismissed.

might is right white supremacist

Figure 6.6. Front matter displaying neo-Nazi symbolism from the 1999 edition of the book Might is Right, published by “14 Word Press.” This edition was edited by Katja Lane, who also contributed to the “Bugbee Books” edition published in 2003 alongside Douglas Misicko, the co-founder of The Satanic Temple. Her husband, David Lane, was a neo-Nazi terrorist who coined the “14 words” slogan, which is featured at the bottom of the image. The “14 word” slogan has gained widespread usage within white supremacist, neo-fascist movements.

Even if we were to accept the claim that LaVey was “a born Jew” on the basis that he did have some remote Jewish ancestry, this remains an overwhelmingly weak basis on which to refute Satanism’s neo-Nazi connotations, given the following matters of fact:

  • Anton LaVey explicitly declared that Satanists have “an affinity for […] Nazism” (Satan Speaks! 8).
  • LaVey collaborated with and was respected by prominent neo-Nazis, perhaps most notably including James Mason, leader of the neo-Nazi sect called “Universal Order” and the main contributor to Siege, a neo-Nazi periodical later published as a book which has found renewed popularity among neo-Nazis since the emergence of a variety of terroristic “Read Siege” groups, many of them paramilitary in nature, within the so-called “Alt-Right” iteration of neo-fascism (5.2). One of these groups claimed responsibility for a mass shooting at a Florida high school whose student body is largely Jewish in February 2018, which resulted in the deaths of seventeen mostly young people (Barnes and Michel, JTA, JNS). The perpetrator of the deadly neo-Nazi terrorist attack which occurred in August 2017 in Charlottesville, Virginia was affiliated with another “Siege-influenced” group (Foster), and the “Read Siege” movement has also been linked to a failed attempt to cause a passenger train to derail and crash in October 2017 (Beckhusen).
  • The “Read Siege” movement’s godfather, James Mason, has expressed the opinion that “LaVey had many great similarities to [American Nazi Party founder] George Lincoln Rockwell,” and has called the founding of the Church of Satan “absolutely brilliant” (Mason).
  • The Satanic neo-Nazi terrorist group “Atomwaffen Division,” which has been connected to several murders, encourages its members and prospects to read LaVeyan Satanic literature (Hatewatch Staff).
  • LaVey’s lieutenant in the Church of Satan, US military intelligence officer Michael Aquino, called Hitler’s Mein Kampf “a political Satanic Bible” and advised Satanists to apply its teachings (Mathews 148).
  • The openly neo-Nazi and pro-human sacrifice sect “Order of Nine Angles” was inspired by and closely tied to LaVey’s sect and one of the latter’s earliest spin-offs (the Temple of Set), borrowing its name from a “Ceremony of Nine Angles” described in LaVeyan Satanic literature, and it not only shared members with the Temple of Set, a Satanic sect which was founded in 1975  in a split from LaVey’s Church of Satan by Michael Aquino (a US military intelligence officer and author of the “Ceremony of Nine Angles”), but also had direct communication with the “Setian” leadership into at least as late as the 1990s (6.1.1).
  • LaVey was a close associate of two members of the racist cult known as the Manson Family, which attempted to provoke a “race war” by framing African-American leftists as culprits in ritualistic murders and whose leader, Charles Manson, later had a swastika tattooed on his forehead, contributed to neo-fascist and Satanist periodicals, and became the object of a cult of personality adopted by certain neo-Nazi and crypto-fascist organizations, including Thee Temple ov Psychick Youth, a group whose “bible” describes Nazi Schutzstaffel (SS) insignias as “part of the Scandinavian DNA-structure” and which has close ties to The Satanic Temple (6.3.1 and 3.2.1).
  • Et cetera

The practice of using Anton LaVey’s would-be “Jewishness” or LaVeyan Satanism’s supposedly “Jewish” character (whether based on LaVey’s ancestry or on his absurd conception of Judaism and Nazism and their relation to one another [see below]) as shields from criticism and as a way to disavow obvious associations between LaVey’s brand of Satanism (which largely defines so-called “modern Satanism” as a whole) and far right, racist ideology appears to go back to LaVey himself. This obfuscationist tactic of countering observations of Satanism’s neo-fascist associations with “But how can Satanism be neo-fascist when it was founded by ‘a born Jew’?” basically runs along the lines of that clichéd talking point of the racist who doesn’t want to own up to being a racist; i.e., “But look, how can I be racist when I have a Black friend?!” (a line unironically invoked by the Church of Satan’s official representatives in the present day).

Shortly before his death in 1997, LaVey wrote a collection of essays that were later published in the form of a book titled Satan Speaks!. In an essay from this collection called “A Plan,” LaVey attempts to show how his brand of Satanism is essentially a synthesis of Judaism and Nazism, insinuating that “being a Satanist means being rooted in Judeo/Nazism” (8). Positing the Jews as “Christ-killers” (as had many an antisemite before him), LaVey argues that “hereditary Jewish culture is a [more] perfect springboard for anti-Christian sentiment” than antisemitic forms of Eurocentric neo-paganism such as “neo-Odinism” (also called Wotanism, Asatru, or Armanism), which frame their opposition to Christianity as owing to the Jewish origins of the religion (ibid.). For LaVey, it seems the “Christ-killer” or what he calls “the universal devil Jew” is a more powerful archetype than that of the ancient Germanic “priest-king” popularized by the Ariosophists and looked up to by many of the original Nazis. Because of this, LaVey contends that anti-Christian neo-fascists will eventually come to see “Satanic Jewish Nazism” as a better way to oppose Christianity and advance their fascist agenda, and so neo-Nazis “without a drop of Jewish blood” will therefore “concoct genealogical evidence of a Jewish great-grandfather, thus making them by heredity, generational Satanists,” (ibid.). LaVey likens this to the fact that “the Nazis ‘Aryanized’ certain needed Jews,” (ibid.). This is of course peculiar in that even the most fanatically diehard adherents to the belief in biologically differentiated human “races” implicitly admitted the overriding social constructedness of race.

The important thing to note with regard to LaVey’s framing of “[Satanic] Judaism” as a more apt “springboard” for the anti-Christianity of neo-Nazism than the Germanic neo-paganism (or “Asatru,” “Odinism,” etc.) favored not only by rival neo-Nazi factions, but also by paleo-Nazis such as Heinrich Himmler, Alfred Rosenberg, Erich Ludendorff, and the so-called “German Faith Movement” (Steigmann-Gall), is that this is a neo-Nazi strategy, not a Jewish one. In “A Plan,” LaVey is promoting, along with the cultural appropriation of “hereditary” Judaism by neo-Nazi gentiles, the antisemitic slur that says that Jews are Satanic “devils” or “Christ-killers.” In the end, it is clear that LaVey is putting forward the possibility of falsely claiming Jewish ancestry as a convenient way for neo-Nazi gentiles to adopt a “Nazi aesthetic” while disingenuously ducking accusations of antisemitism, as well as racism more generally. “But I can’t be antisemitic,” the neo-Nazi wearing a combination swastika/“sigil of Baphomet” armband would say, “my great-grandfather was a Jew! I’m a hereditary Satanic Nazi Jew!” This endorsement of false claims of “Satanic” Jewish ancestry also casts some doubt on LaVey’s own “roots” stories, including claims of a Transylvanian “Gypsy” great-grandfather, which he seems to have played up for exoticizing effect, although there is no evidence that LaVey had any real knowledge of Rromani culture beyond circus stereotypes. Additionally, census records indicate that LaVey’s ancestor in question was not born in Transylvania, but in the Russian Empire (Transylvania belonged to the Austrian Empire at the time), suggesting that the Transylvanian embellishment was added to exploit pop culture associations with “Count Dracula” and vampires. The Satanic Temple appears to implicitly promote this practice of cultural appropriation and concoction of “exotic” family histories, regularly describing its brand of Satanism as entailing an “embrace” of one’s “outsider status.” Arguably, ethnicity, nationality, and race are far more significant factors than religion in the attribution of “outsider status” when it comes to the political aspects of personal identity in the modern United States. LaVey appears to have understood this, opting to identify with the Hitlerian conception of Judaism as a racially inherited identity as opposed to being determined by whether one actually practices Judaism as a religion. The Satanic Temple’s spokesman Douglas Misicko sums it up this way:

“Like, I think it’s okay to hate Jews if you hate them because they’re Jewish and they wear a stupid fuckin’ frisbie on their head [correct term: yarmulke or kippah] and walk around [and] think their God’s chosen people, but it’s not okay to hate somebody [‘born of Jewish blood’] just because their parents were stupid fuckin’ Jews and wore stupid frisbies on their head and thought the Jews were God’s chosen people […] Not everybody of Jewish blood is okay with me, it depends on if they follow the Jewish, uh… […] Satanic Jews are fine,” (Adam, “Doug Mesner [Lucien Greaves/Douglas Misicko] Satanic Temple Anti-Semitic Rant” [transcribed, bold added for emphasis]).

In another Satan Speaks! essay, this one titled “The Jewish Question? Or Things My Mother Never Taught Me,” LaVey advances conspiracist claims that Adolf Hitler and other high-ranking Nazi officials such as Joseph Goebbels and Reinhard Heydrich were actually Jewish. LaVey exalts the figure of the “hereditary [Jew]” who has catastrophically betrayed the Jewish people, citing as a prime example of this, second only to the mythical “Jewish” Hitler, Tomás de Torquemada, who was Grand Inquisitor of the 15th century Spanish Inquisition which resulted in racialistic limpieza de sangre (or “cleanliness of blood”) laws and the forced conversion and/or expulsion of virtually all Jews from Spain, but who is also said to have been of Jewish descent himself. Of course, if LaVeyan Satanism promotes the belief that Hitler was a Jew, which it does, and on that basis attempts to identify itself with “Jewry,” then it is clearly neo-Nazi. Even if we were to accept the claim that Torquemada, Hitler, and LaVey were all “born Jews” or had “Jewish blood,” the fact that they were all fanatical antisemites would not be altered. By these twists of “logic,” one is antisemitic if one opposes Nazism, the Spanish Inquisition, and Satanism, for their leaders were “really” or “secretly” Jewish, but one also becomes antisemitic, of course, if one supports Nazism, the Spanish Inquisition, or Satanism. The purpose of these absurd theories seems to be to create “damned if you do, damned if you don’t”-type dichotomies which universalize antisemitism. This is really just typical Nazi stuff though—“the Jew” is both the “international capitalist financier” and the “international Bolshevik communist”; so, whether you want to be anti-capitalist or anti-communist, right-wing or left-wing, then you must, either way, be antisemitic. In this way, analytically useful political terminology is sapped of its meaningfulness and significance and the fascist dichotomies are imposed. An updated, neo-fascist version of this conception, closely related to the thought of LaVey, supplants categories such as “international banker” and “international communist” with those of “Nazi” and “Zionist.”

LaVey’s arguments in these essays also provide fodder for Holocaust revisionists who meet Satanism halfway by embracing the idea that Nazism was actually a crypto-Jewish movement, but without then embracing this fabricated “Judeo-Satanic Nazism” as their own ideology. “What’s a little holocaust between friends?” LaVey asks in “The Jewish Question?,” arguing that Jews, secretly leading the Nazi Party, orchestrated the Holocaust against fellow Jews, an idea which Amy Bugbee also echoes in the above cited audio clip of Douglas Misicko’s antisemitic rant during a podcast. By embracing this idea, antisemites avoid outright Holocaust denial, instead engaging in a blame-shifting operation which seems to say that “the evil, Satanic Jews were in control of a ‘sinister dialectic’ and sacrificed six million of their own kind by whipping up the forces of Nazism in order to increase their power and establish the Zionist state of Israel.” This allows them to be hardcore antisemites without overtly appearing to be Nazis, instead arguing that Nazism was a Zionist plot, or vice versa. By this absurd line of thought, antisemites become the only real anti-Nazis.

The Satanic Temple employs a number of other similar tricks for disavowing Satanism’s ties to neo-Nazism and antisemitism (necessary because TST attempts to market itself as “politically progressive”).

As described earlier in connection to Rabbi Joshua Trachtenberg’s book, one means by which The Satanic Temple projects its antisemitism onto its enemies is to compare accusations of child sexual abuse (framed as “Satanic ritual abuse”) to claims of blood libel (referring to the antisemitic accusation which has historically been levelled against Jewish people, claiming that they sacrifice Christian babies in order to use their blood as an ingredient in the matzot, or flatbread, which is eaten at Passover) (Lebovic; Greaves, “When It Comes to…”). This tactic is particularly relevant to TST’s “Grey Faction” operation, with its specialized focus on defending accused child abusers by amplifying “moral panic” narratives about “day-care sex abuse hysteria” and “Satanic Panic.” The idea that people accused of perpetrating sexual abuse against children are comparable to persecuted Jews is emphasized in order to imply that anti-Satanists are the true antisemites, or that they are similar to antisemites in that they are despicable for persecuting an ill-defined “innocent people.” Given, however, that modern Satanism as a movement is in many ways intertwined with neo-Nazism and also given that there remain troubling indications of links between efforts to normalize pedophilia and prominent individuals associated with modern Satanism and the anti-“Satanic Panic” movements who were caught up in child abuse scandals during the 1980s and 1990s, such as Michael Aquino (6.1.1), Genesis P-Orridge (3.2.1 and 3.2.1.1), and Ralph Underwager (3.1, 6.1, 6.1.2), what this “Satanic Ritual Abuse accusations are the new blood libel” (read: “Satanists and Red-baiting anti-feminist Protestant ministers are the new Jews”) meme is actually saying is that “neo-Nazis and people who want to redefine child sexual abuse are the new Jews.” These memes actually re-enforce antisemitism by unjustly linking Satanism and sexual abuse to Judaism, when there is no indication that Jews were disproportionately affected by false accusations of child abuse during the 1980s and 1990s. Quite to the contrary, there is rather every indication of a disproportionate number of antisemites and persons with unhealthy fixations on the “aesthetics” of Nazism and histories of abusive behavior among Satanists.

One Jewish text which is particularly cited by antisemites as alleged proof of a connection between sexual abuse and Judaism is the Babylonian Talmud (Lipson), which contains some passages framing incest, a theological problem arising from the logical implication that the children of Adam and Eve needed to procreate with one another for humanity’s sake, in a positive light. For example, it is suggested that Adam demonstrated kindness and goodwill toward his son Cain by not marrying his daughter, but rather letting Cain marry her (Kiel 200). However, religions scholar Yishai Kiel shows in Sexuality in the Babylonian Talmud: Christian and Sasanian Contexts in Late Antiquity how this attitude was actually a result of “Aryan” (i.e., Iranian or Persian) influence, with the Zoroastrian state religion of the Sasanian Empire emphasizing the righteousness of xwēdōdah (incestuous coupling), “[a]n important justification” for which was “the notion of genetic purity […], according to which marriages between members of the same family will ensure the purity of the ‘seed’ […] and that good qualities will remain within the nuclear family and not fade away through genetic intermixture,” (155). Kiel shows that an attitude of Jewish tolerance toward incest among Gentiles is characteristic of the Babylonian Talmud, in contrast to the Palestinian Talmud, demonstrating that a certain amount of religious syncretism took place as a result of the development of Jewish thought within the Sasanian Empire, whose Aryan ruling class practiced incest enthusiastically, considering it “among the most righteous deeds” (152). Thus we see that the Nazis’ anti-Talmudic propaganda, which, if it did not totally fabricate them, mined the Babylonian Talmud for out-of-context quotes to back the claim that “[t]he Jews have double moral standards, and act among themselves with different moral standards than those they display toward gentiles,” (Lipson) masks the sexual taboo, nay perversion, implicitly glorified by anti-miscegenationist white supremacism and the 19th century “Aryan root-race” idea expounded by the likes of Blavatsky, Nietzsche, Madison Grant, the Ariosophists, and, ultimately, the Nazis. In a textbook case of psychological projection, antisemites have accused the Jews of the very sexual perversion and obstinate ethno-religious separatism inherent to their own program.

The Satanic Temple seems to play on these antisemitic claims of Jewish sexual perversion and deviancy through the staging of BDSM-themed “Black Mass” parties incorporating the sexual fetishization of Nazi uniforms and Holocaust symbolism, including the yellow Star of David badge, which Jews were forced to wear in Nazi-occupied Europe, alongside skimpy latex clothing, collars with chain leashes, and bloodletting (Verbeuren 35, 2). This pageantry incorporating the sexualization of the Holocaust builds on BDSM tropes, with “the Jewish concentration camp inmate” and “the Nazi SS officer” supplanting the categories of “submissive”/“slave”/“masochist” on the one hand and those of “dominant”/“sadist” on the other, attempting to normalize the LaVeyan view of Judaism and Nazism as a dialectical unity and make the aestheticization of antisemitism and rape “sexy.” This fetishization of power imbalance in sexual relations flows naturally from the white supremacist desire to enshrine parent-child inbreeding as a kind of “Aryan sacrament,” the Zoroastrian concept of xwēdōdah being necessarily an attractive object of cultural appropriation for any antisemite familiar with the Nordicist myth of “blond […] invaders […] in India [having created the ‘system of castes’] to preserve the purity of their blood” (Grant 35). Indeed, according to the logical imperatives of Nazism, it would necessarily be better for “Aryan” parents to procreate with their own offspring than to allow “racial defilement” by having the latter “breed” with “degenerate races.”

The Satanic Temple’s Black Mass-cum-Nazi sex party is not exactly a new phenomenon. In her review of SS Regalia by Jack Pia (part of a longer essay titled “Fascinating Fascism”), Susan Sontag (1933–2004) highlights the fact that the fusion of sadomasochism to Nazi symbolism was complete as early as the 1970s, noting that “the relation of masters and slaves [had never before been] so consciously aestheticized” as it was in this fusion of “S&M” and Nazism, and furthermore that “[t]hese sadomasochistic fantasies and practices are to be found among heterosexuals as well as homosexuals, although it is among male homosexuals that the eroticizing of Nazism is most visible.” Given that this “tradition” of attaching sexual jouissance to Nazi brutality fits clearly within the codes of sadomasochistic practice which have been highlighted by culture critics for decades, it would be difficult to suppose that the Satanists are unaware of what they are doing.

Photos published in the L.A. Weekly of a “Black Mass” event hosted by The Satanic Temple in January 2017 at a nightclub in Los Angeles show that the crypto-fascist sect’s penchant for Nazi aesthetics becomes noticeably less cryptic when members and supporters of the group gather together in large numbers:

TST member dressed in SS uniform

Figure 6.7. Left (detail): A participant in a “Black Mass” event put on by The Satanic Temple can be seen wearing a replica SS hat, complete with an SS-Totenkopf (the emblem of the SS, the most fanatical appendage of the Nazi Party) and a Parteiadler (“Party Eagle” or “eagle atop swastika,” the official emblem of the Nazi Party) (Verbeuren, 43/71). Right: Portrait of Heinrich Himmler, who was the leader of the SS, wearing the same style of hat (HolocaustResearchProject.org).

TST BDSM themed Black Mass

Figure 6.8. These photos, taken at the same “Black Mass” party organized by The Satanic Temple display the undeniably sexualized and BDSM-themed atmosphere in which Nazi and Holocaust symbolism was included (Verbeuren 35/71, 17/71, 9/71, 1/71, 2/71, 3/71).

satanic_2017hannah_verbeuren_45

Figure 6.9. Another participant at a “Black Mass” event organized by The Satanic Temple, dressed as a demonic SS officer (Verbeuren 5/71).

In the above photo, it can be seen that the standard Nazi emblems have been replaced by a Lovecraftian “Cthulhu” pin. According to Dimitrios Pagourtzis, a teenager who killed ten people in a shooting rampage at Texas high school in May 2018 while wearing a black coat similar to the one shown above, which was adorned with a “Cthulhu” pin of the same design, along with a pin featuring the “Sigil of Baphomet” (the official symbol of both the Church of Satan and The Satanic Temple), “Cthulhu [means] Power” and “Baphomet [means] Evil” (Collins, Zadrozny, and Connor, Banks and Rogers). US military intelligence officer Michael Aquino also combines Lovecraftian mythology with Nazism in his “Ceremony of Nine Angles” text. If, as members of TST claim, the group does not embrace evil, then the acceptance of Nazi iconography and uniforms at the group’s ritualistic events is perplexing.

TST yellow star badge

Figure 6.10. In keeping with Anton LaVey’s absurd conception of Satanism as “Judeo/Nazism” (sic), another participant at The Satanic Temple’s “Black Mass” can be seen wearing a yellow Star of David badge resembling those which Jews living under Nazism were forced to wear (Verbeuren 33/71, yellow circle for emphasis and lower right corner image both added); this was originally a medieval practice but it is mostly remembered nowadays for having been revived in the 20th century by the Nazis (HolocaustCenter.org). Lower right corner: “Nazi propaganda leaflet [in German]: ‘Whoever bears this sign is an enemy of our people’” (ibid.). Solid yellow stars like the one worn by the participant at TST’s “Black Mass” event shown above were used in Bulgaria, Poland, Hungary, Greece, Lithuania, and Latvia (ibid.).

The appropriation or “reclaiming” of the Nazi-imposed yellow star symbol, especially by non-Holocaust survivors and non-Jews, is widely seen as offensive, misguided, or, at best, tasteless (Pink, Kershner, Silow-Carroll, Pollard, JBN, JPOST.com). Wearing it at a party where people are also dressed as SS officers and in a sexually suggestive manner is undoubtedly doubly offensive. What message or meaning do The Satanic Temple’s followers wish to send or construct by celebrating their “Black Mass” with bloodletting rituals, including cheek and throat piercing with “flesh hooks,” while dressed in clothing symbolic of victims and perpetrators of the Holocaust? It is entirely reasonable to infer that these participants in The Satanic Temple’s “Black Mass” envision the ritual as a kind of symbolic reenactment of the Holocaust.

Another method to shift blame for antisemitism onto proponents of anti-Satanism is to paint discursive speculation by mental health workers about the connection of some of their patients’ trauma to abuse perpetrated under the aegis of the CIA’s “Project MK Ultra” as antisemitic. The accusation of antisemitism on the part of the medical community that specializes in mental disorders related to trauma and dissociation (namely the ISSTD) has been leveled by The Satanic Temple’s “Grey Faction” particularly with regard to a speech titled “Hypnosis in MPD: Ritual Abuse” (note that MPD stands for multiple personality disorder, now called dissociative identity disorder), also known as the “Greenbaum speech,” which was delivered by a psychotherapist named D. Corydon Hammond at a 1992 conference and which posited that there had been a Jewish inmate in a Nazi extermination camp who, having been “raised in a Hasidic Jewish tradition,” knew about Kabbalah and was therefore spared death and instead recruited to assist the Nazis in conducting “mind-control research” before being brought to the United States after the Second World War to work on the CIA’s mind control or “behavioral modification” program (“Project MK Ultra”), becoming known to victims as “Dr. Greenbaum” (Hammond , Hammond [text]).

In April 2018, The Satanic Temple’s anti-psychiatry operation “Grey Faction” produced and published a short video titled “The Greenbaum Speech: The Satanic Panic’s Central Folklore.” By presenting clips from the “Grey Force”-advocating psychologist’s speech in a lurid way, with “spooky,” old-timey footage of creepy-looking people holding a seance, the video attempts to portray discursive exploration of links between Satanic psychological operations and the CIA’s “Project MK Ultra” as quasi-psychotic, irrational, and, moreover, antisemitic. The “Grey Faction” video falsely asserts that the so-called “Greenbaum Speech” makes “wildly implausible claims” which “lack corroboration.” Taking into consideration the following arguments, we will see that although the narrative associated with the so-called “Greenbaum speech” may well contain some distortions or corruptions, the essential elements of the historical narrative summarized above (involving the recruitment of Jewish concentration camp inmates for participation in Nazi research and experimentation—not only as human guinea pigs, but as researchers—and the recuperation of Nazi research by the post-WWII CIA “behavioral modification” program[s] known as “Project MK Ultra”) are plausible and can in fact be corroborated by a wide variety of reliable sources.

Let’s examine the “Grey Faction” video’s first claim, which is the assertion that “the story of ‘Dr. Greenbaum’” is the story of “a folkloric villain who manages to fulfill nearly all conspiracy theory stereotypes by being a Jewish Satanist Nazi brought to the U.S. by the CIA to conduct mind control experiments.” One of the main objectives of this statement seems seems to be to make the viewer respond, “A Jewish Nazi? How absurd! What an outlandish conspiracy theory!” It is pretty clear that the idea which The Satanic Temple’s “Grey Faction” wants to plant in our heads is that the “Greenbaum” narrative, by “fulfilling all the conspiracy theory stereotypes” with its allegations that Greenbaum was not only a Jew and a Nazi-collaborator, but a Satanist, taps into antisemitism. And therefore—“Grey Faction” would have it—anyone who shows the slightest hint of belief in any part of the “Greenbaum Speech” might as well be a lunatic raving about the Protocols of the Learned Elders of Zion. However, as we have just seen in the arguments formulated by Anton LaVey which were analysed above, “Jewish Satanist Nazism” is exactly how the founder of the Church of Satan, who believed that Hitler was Jewish, conceived modern Satanism. For TST (whose leaders assert that their sect represents “the natural evolution or natural progression of LaVey Satanism”) to call others out on this is a clear sign of psychological projection (Smith).

There was in actuality a psychiatrist named Sidney Gottlieb (1918–1999), who was in charge of “Project MK Ultra,” and Gottlieb did have Jewish familial origins (Cornwell). By some accounts, Gottlieb’s CIA nickname was “the Black Sorcerer” (Lennon, AHRP, Hollington 34). These facts, combined with the similarity of the names Gottlieb and Greenbaum, begs the question of whether the rumors about a Jewish “Dr. Greenbaum” might not be based on the real figure of Sidney Gottlieb. Furthermore, Gottlieb was allegedly born “Joseph Scheider” (Bush, Lennon) but sources of biographical data which would account for why or when his name changed from “Joseph Scheider” to “Sidney Gottlieb” are lacking. Nevertheless, the fact that “Gottlieb” was reportedly not his birth name, in combination with the fact that he was in charge of a top secret CIA program that involved the use of numerous code names (such as “Artichoke,” “Bluebird,” “MK Naomi,” “MK Delta,” “MK Search,” “Often,” and “Chickwit”), makes the possibility that “Gottlieb” or “Scheider” may have also used other code names or aliases, such as “Greenbaum,” more plausible. An additional possibility is that “Greenbaum” is simply a corrupted rendering of “Gottlieb.” Indeed, the names are similar; both are Germanic, have two syllables of similar length, and start with the letter G.

Some differences do stand out. Gottlieb is said to have been born in the US and therefore couldn’t have been interned at a Nazi death camp and forced to become an assistant to Nazis in cruel experiments, as it is claimed “Dr. Greenbaum” was. (Unless, of course, the life story of Sidney Gottlieb up to the age of about twenty-seven was fabricated by the CIA). So perhaps “Greenbaum” is not a cipher for Gottlieb. But what exactly is “Grey Faction” claiming is “wildly implausible” and lacking in corroboration? That Nazi scientists came to America after the Second World War? The establishment of significant numbers of Nazi war criminals in all parts of the Americas after the war (many through “Operation Paperclip”) is a well-known fact and has already been covered in the preface to this work and need not be re-examined here.

Is it possible that The Satanic Temple’s “Grey Faction” is trying to say that it is “wildly implausible” to claim that the Nazis would have been interested in acquiring knowledge about “Kabbalistic mysticism” from a Jew or that a Jewish inmate in a Nazi concentration camp could have become an active participant in unethical human experimentation? Yes, those do indeed seem to be the parts of the narrative which TST would like us to think are “fantastic” and “wildly implausible.” An examination of the historical record demonstrates otherwise, however.

A portion of those deported to Nazi death camps were put to work in so-called Sonderkommandos (“special units” or “special squads”), which were responsible for assisting in the practical operations of exterminating prisoners. One of the most famous individuals to have been coerced into joining the ranks of Auschwitz Sonderkommandos was a rabbi named Leib Langfus, who has been considered as a hero for participating in an anti-Nazi uprising on October 7, 1944, leaving behind some fragments of writing about the conditions in the camp which were found after it was liberated (Chare and Williams). Another rabbi, Benjamin Murmelstein (1905–1989), who was not a Sonderkommando but nevertheless worked closely with the Nazis and was imprisoned at Theresienstadt concentration camp, is remembered less favorably, being “widely perceived as a collaborator concerned with his own survival,” (Powers). Of course, the Zohar, the fundamental text of Jewish Kabbalah, forms a part of rabbinic literature, and given that the Nazis rounded up a large portion of the world’s Jews, it goes without saying that there is certainly nothing “wildly implausible” about the Nazis having had access to a significant number of people who were very knowledgeable about Kabbalah.

But why would the ultra-antisemitic Nazis have been interested in Kabbalah and not simply have sought to wipe out this cultural artifact along with the rest of world Jewry? The answer to this lies in an examination of the beliefs associated with Ariosophy (i.e., “Aryan wisdom,” the quasi-religious, völkisch school of thought based largely on the Theosophical Society leader Helena Blavatsky’s concept of an “Aryan root-race,” combined with an unhealthy dose of German nationalism, which was expounded by Austrian occultists Guido von List [1848–1919] and Lanz von Liebenfels [1874–1954] and a number of cultic sects inspired by their work, such as the Thule Society, which had a hand in the foundation of the Nazi Party [see preface and section 3.2.1.1]). List taught his followers that there was in ancient Germania a “secret Aryan priestly caste” called the “Armanen,” who “professed an esoteric religion which the popular worship of Wotan concealed” (Webb 280). Furthermore, according to Ariosophist thinking, this esoteric “Aryan” religion “found its supreme expression in the [Kabbalah], which [the Ariosophists] maintained was not at all Jewish,” (ibid). According to them, “during the eighth century,” when the ancient Germanic pagan religion was in the process of being wiped out by the Catholic Church, “the original [Aryan] priest-kings […] entrusted their gnosis [i.e., mystical/spiritual knowledge] verbally to the rabbis of Cologne […] in order to safeguard its survival during a wave of [anti-German] Christian persecution, (Goodrick-Clarke 63). These rabbis were said to have then “set these secrets down in [k]abbalistic books which were erroneously thought to represent a Jewish mystical tradition,” (Goodrick-Clarke 63). Blavatsky similarly negated the Jewish origins of Kabbalah (Mosse).

More generally, what is called “Hermetic Kabbalah” opts for an antisemitic theory of the origins of Kabbalah. That is, its proponents argue against the “Semitic” origins of Kabbalah, asserting that what they call “Hebrew Kabbalah” is “a product of the impact of Greek [read: ‘Indo-European’/‘Aryan’] Gnosticism on Jewish mysticism” (Barry, The Greek Qabalah xiii-xiv). Here we have it then, that the founders of the Nazi Party belonged to a school of thought closely associated with the belief that Kabbalah was actually “a compilation of ancient German wisdom which had survived [Christian] persecution” in the hands of Jewish community (Mosse).

Open claims by Nazi leaders involving the assertion of an “Aryan” entitlement to the cultural appropriation of aspects of Judaism were reported in the press of the time. A September 30, 1935 report from the Jewish Telegraphic Agency titled “Rosenberg Charges Jews ‘Stole’ Ten Commandments,” reads:

“‘The Ten Commandments are not Jewish, but were stolen by the Jews from ‘Aryans,’ Alfred Rosenberg, ideological leader of the Nazi Party and moving spirit of the pagan cult, declared today in a message to the Reich convention on German History, now in session here.

“Expressing ‘regret that the world bases history on the Jewish Bible,’ Rosenberg stated that the Bible was actually inspired by Bablonian [sic] and Indian culture, which are really ancient ‘Aryan’ cultures.

“‘The Ten Commandments are nothing but material rewritten from the nine commandments composed by ancient ‘Aryans,’ the Nazi spiritual leader charged,” (my emphasis in bold).

Rosenberg makes the same claim in The Myth of the Twentieth Century (1930), the second most important work in the Nazi literary canon after Hitler’s Mein Kampf (1925), mentioning therein “the nine commandment table which [was] appropriated by the Jews as their ten prohibitions” (30). Nor was Rosenberg the only Nazi leader to make reference to “the nine commandments”; Hermann Göring, considered to have been the second most powerful man in Nazi Germany after Hitler, put forward in 1934 the so-called “Nine Commandments for the Workers’ Struggle,” also known as the “Göring Plan” (ushmm.org). Incidentally, it seems likely that the “Nine Angles” referenced by Michael Aquino, the Nazism-obsessed US military intelligence officer who authored “The Ceremony of Nine Angles” (which first appeared in the Church of Satan-published book The Satanic Rituals [1972], was later incorporated into Aquino’s Temple of Set organization, and eventually also provided the neo-Nazi sect known as the Order of Nine Angles with its name), constitutes a reference to this esoteric aspect of Nazi ideology.

Nine commandments for the workers' struggle

Figure 6.11. “German pedestrians read a giant poster of Goering’s ‘Nine Commandments for the Workers’ Struggle,’ that has been affixed to a pillar in central Berlin,” (United States Holocaust Memorial Museum).

Given these facts, it would be “wildly implausible” to suppose that the Nazis, particularly the esoterically-inclined SS, did not desire to appropriate and acquire Jewish insights into Kabbalah, the understanding of which would have to be seen, according to their worldview, as holding the essential key to obtaining so-called “Ariosophical” knowledge and reconnecting with Aryan Ahnenerbe (“Ancestral Heritage”). (Note that the Ahnenerbe-SS or “Ancestral Heritage Research and Teaching Society” was the research branch of the SS, largely devoted to proving the Theosophical/Ariosophical “Aryan root-race” theory). Indeed, the cultural appropriation or “Aryanization” of the Jewish Kabbalah would, for the Nazis, have been even more imperative than that of the Ten Commandments (“Aryanized” as “the Nine Commandments”), because Kabbalah was held to be an encrypted spiritual teaching of those who the Nazis considered to be the purest “Aryan” specimen (the would-be Nordic-Germanic “race”), whereas the Ten Commandments were held to be derived from the “Aryans” of Persia and India (seen as more “racially diluted” according to the Nodicist view adopted by the Nazis). As with the derivation of the “Nine Commandments” from the Ten Commandments, the so-called “Tree of Wyrd” (a “mystical” trope of the esoteric Hitlerist “Nine Angles” and “Setian” cults, based on the “Tree of Life” associated with Jewish Kabbalah) involves subtraction (reducing the number of nodes or sephiroth from ten to seven).  This “Aryanized” Kabbalistic tree is even depicted as a Star of David, though it is euphemistically called a “double-tetrahedron”.

All this culturally appropriative behavior is not entirely dissimilar to the way in which the CIA appears to have looked to African and Afro-diasporic traditions in developing its own “mystical, sinister” methods for “behavior modification,” even though anti-Black racism was undoubtedly pervasive within the “MK Ultra”-era CIA (6.3.1). That said, the Nazis’ Ariosophical self-identification with and appropriation of Jewish Kabbalah does not in anyway prove correct the LaVeyan thesis of “Satanic Jewish Nazism,” for the same reason that CIA appropriation of “Voodoo” or Vinbrindingue rites does not imply a would-be “Satanic Yoruba Anglo-Saxonism.”

The fact that, not long after coming to power in Germany, the Nazis would go on to ban Freemasonry and secret societies or “esoteric organizations” broadly considered (including those of “Ariosophical” and völkisch persuasion, except, of course, those integral to the Nazi state itself, such as the SS) is sometimes touted in order to negate, downplay, or minimize the reality, depth, and significance of Nazi interest in the occult. However, it can be seen that these repressive measures were not the consequence of opposing esotericism and occultism as such, but rather the logical outcome of an esoteric sect, convinced of its own occult doctrines and organizational superiority, taking control of a state. The axiomatic status of Aryanism within Nazi ideology shows clearly the centrality of the Theosophical-Ariosophical “Aryan root-race” theory which forms the basis for the Nazi “religion of the blood.” To argue, as some do, that the fundamentally occultist character of Nazism (which has been observed since the time it arose, with Walter Benjamin calling Nazism “sinister runic humbug” and the Jewish press identifying it as a “pagan cult”) can be dismissed as phantasy simply because the “Aryan” racial doctrine is “the only” occultist or esoteric dogma that the Nazi state unambiguously promoted in a clear-cut and open way, would be like questioning whether a group that had “merely” made belief in Jesus Christ as the son of God its central tenet was “really” fundamentally influenced by Christianity.

Perhaps less well known than the existence of the Sonderkommandos is the fact that the SS also recruited concentration camp prisoners with specialized knowledge in fields such as medicine (including psychiatry) and anthropology (which has long included the study of religion) to aid them with other activities, namely human experimentation (Lifton 289). One Jewish inmate at Auschwitz who was accepted for this kind of work was a Hungarian-Romanian doctor named Miklós Nyiszli (1901–1956), whose memoir Auschwitz: A Doctor’s Eyewitness Account is noted in the Holocaust literature for bringing up the troubling theme of the “ambiguous victim.” While his actions, such as volunteering to collaborate with the Nazis, should be understood within the context of the “practical social reality in a concentration camp” in which he himself was a prisoner and liable to have been killed at any given moment, Nyiszli, who collaborated directly with “Angel of Death” Josef Mengele, nevertheless describes clear ethics violations on the part of himself and his fellow prisoners, such as authorizing fellow “inmate physicians” to dissect and operate on the bodies of murdered Jews in order to “advance their medical education and enhance their professional expertise,” (Turda, Williams). Robert Jay Lifton, a psychiatrist who investigated the psychodynamics behind medical professionals’ participation in the Holocaust, was able to interview “80 former Auschwitz inmates who were engaged in medical work in the camp,” for his research, which suggests that there were significant numbers of prisoners who assisted their Nazi captors in unethical human experiments (Lifton, “What Made this Man? Mengele”).

In “Medicalized Killing at Auschwitz,” Lifton reports that unethical human experiments conducted at Auschwitz involved the study of “the use of drugs (probably including mescaline, morphine and barbiturate derivatives) for purposes of extracting confessions, and the use of poisons, including the development of poison bullets,” (290). This shows direct continuity between Nazi death camp research and the CIA’s “Project MK Ultra,” because, as FOIA documents show, one of the objectives associated with “MK Ultra” was the development of a so-called “truth serum,” although their drug of choice is said to have been LSD instead of mescaline (Kelley and Bender). John D. Marks, a respected journalist and one of the first to report in depth about “Project MK Ultra,” notes in The Search for the “Manchurian Candidate” (1978) that the Nazis conducted hypnosis experiments “in combination with the drug” mescaline and that records of these experiments were acquired by the US military, though “[n]one of the German mind-control research was ever made public” (7, 10). Furthermore, “MK Ultra” overseer Sidney Gottlieb is widely reported to have been interested in the use of poisons, coming up with several eccentric schemes to try to poison left-wing and decolonial world leaders such as Fidel Castro (1926–2016) and Patrice Lumumba (1925–1961) (Inglis-Arkell). Similarly, the New York Times reports in a 1975 article titled “Colby Describes C.I.A. Poison Work” that “William E. Colby, Director of Central Intelligence, told the Senate Select Committee on Intelligence that [under the aegis of] the project code‐named ‘M.K. Naomi’ [a sister project of ‘MK Ultra’] […] the C.I.A. had developed darts that could shoot poison into a person,” (Horrock).

The fact of the proto-Nazi, Ariosophist interest in Jewish Kabbalah as an occult reservoir of Germanic pagan wisdom, combined with the fact that Jewish psychiatrists, rabbis, and anthropologists interned at concentration camps were coerced into working for the Nazis in the same places where behavioral modification experiments involving drugs and hypnosis were taking place, makes the “Greenbaum Speech” narrative seem more plausible than implausible.  In “The Encounter in Vienna: Modern Psychotherapy, Guided Imagery, and Hasidism Post-World War I,” Daniel Reiser, a scholar of Jewish mysticism, describes the “interaction between Hasidic psychology and modern psychology, which became possible in the German-speaking region of Central Europe, and specifically in Vienna, after World War I,” also providing an outline of rabbinic literature dealing with mesmerism, parapsychology, the unconscious, imagination, and hypnosis into the 19th century (291–292). Notably, Rabbi Menachem Ekstein (1884–1942) published a book in Hebrew in 1921 that largely dealt with “modern issues of psychology” (277). Reiser sums up his findings by noting:

“Central Europe in general, and Vienna in particular, functioned as points of contact between Western and Eastern Europe. As a part of the Austro-Hungarian Empire, Vienna was a point of influence over Galicia, which was the cradle of Hasidism and belonged to the same empire up to World War I. German literature about psychology and hypnotism was translated into Hebrew in Vienna, and was distributed at the outskirts of the empire in Galicia. Modern psychotherapeutic techniques came to Galicia by way of Vienna and, amazingly, they were adopted into the Hasidic psychological thought of several Hasidic figures. This process intensified after World War I, when Vienna became one of the focal points of displaced people including quite a few Hasidic courts. According to our analysis, Menachem Ekstein would have encountered guided imagery techniques in Vienna after World War I, and here adopted them into his own Hasidic teachings,” (293).

This association of not only secular but also religious Jews with the psychological sciences, along with the fact that Hasidism was, and is, strongly associated with Kabbalah (which was believed in German fascist circles to be an encrypted form of Germanic pagan or “Aryan” thought), can be taken as corroborating evidence in support of our affirmation of the plausibility of the claim made by Hammond in the “Greenbaum Speech” that the CIA’s “Project MK Ultra,” in building on Holocaust-era Nazi research, drew upon knowledge gathered by and/or from one or more informants and/or researchers familiar with the Hasidic tradition.

Even more damning for the “Grey Faction” assertion that the “Dr. Greenbaum” narrative is “wildly implausible,” Lifton reports that another Auschwitz project “involved the use of electroshock for mental illness,” and furthermore, that this “project [was] initiated by an Auschwitz inmate doctor with some experience in the procedure, with the approval and sponsorship of an SS doctor,” (“Medicalized Killing at Auschwitz” 290). Medical historians Lara Rzesnitzek and Sascha Lang provide more details about this case in “‘Electroshock Therapy’ in the Third Reich,” noting that the Jewish inmate psychiatrist in question was Zenon Drohocki (1902–1978), while the SS doctor was Horst Fischer (1916–1966).

Rzesnitzek and Lang are quick to point out that electroconvulsive therapy (ECT or “electroshock”) has often been given a bad rap in popular culture, being sensationally depicted in films like One Flew Over the Cuckoo’s Nest (1975) “as a ‘treatment’ to enforce discipline inside the repressive regime of a psychiatric hospital,” despite the fact that medical professionals generally seem much more likely to have a positive outlook on the prospects of this form of therapy than pop culture manufacturers. That there seems to be something almost inherently sinister and sadistic about “electroshock” has certainly been picked up on by members of the anti-psychiatry cult of Scientology, who have produced brochures featuring the image of a person’s head being electroshocked—lightning bolts and all—with the words “psychiatry destroys minds” superimposed (Gazdag 42). However, it can be observed that Scientologists and other anti-psychiatry fanatics get things backwards in that Nazism was itself anti-psychiatry (and, more broadly, anti-medicine) insofar as its ideological demand was to move the treatment of persons with psychological and physical disabilities, illnesses, and disorders away from the medical model of practice (which means aiming to care for patients, and to strive to at least manage conditions, should it be the case that they cannot be cured), towards a model of practice which is completely the opposite (i.e., one which aimed for the systematic “extermination of people with intellectual disabilities and severe psychiatric disorders” [Gazdag, Ungvari, and Czech 1]). By the mental gymnastics of anti-psychiatry sects, medicine becomes conflated not only with medical malpractice, but with the outright negation of what medicine actually is.

The medical historians Rzesnitzek and Lang question whether Drohocki’s electroshock project was truly therapeutic or whether it was merely a cog in the Nazis’ search for “a solution to the ‘E’-problem” (“E” stands here for euthanasia; i.e., the extermination of “life unworthy of life”) (ibid.). Drohocki himself defended his collaboration with the Nazis, arguing that the ECT machine he and another inmate constructed out of material salvaged from downed “Allied aircraft” was beneficial to the death camp inmates it was used on. It is known that “electroshock” technology was abused in Nazi Germany. Emil Gelny (1890–1961), a Nazi doctor, modified an ECT machine by adding extra electrodes and used it to electrocute at least 300 patients to death (Rzesnitzek and Lang). This is of course inconsistent with genuine medical application of electroconvulsive therapy. It also makes it difficult to accept Drohocki’s rationalization of his efforts to construct an ECT machine at Auschwitz, given its potential for abusive pseudo-medical applications.

Given that there were indeed numerous cases in which prisoners with specialized knowledge in fields pertinent to “behavior modification” or “mind control” research did not only become assistants to members of the Nazi staff of concentration and death camps, but in at least one case the initiators of “a project” using what was at the time recently-invented psychiatric technology that would later be used within the context of “Project MK Ultra” (notably at the Allan Memorial Institute in Montreal, Canada), it is fair to conclude that The Satanic Temple’s “Grey Faction” assertions about “wild implausibility” stem more from a desire to dismiss and discredit the narrative than they do from an objective analysis of the historical record.

But what about the more “esoteric” aspects of the “Greenbaum speech”? It is plain to see that the “Grey Faction” desires to discredit the historicity of the narrative (of a [coerced] Jewish contribution to Nazi research conducted during the Holocaust that would later be recuperated by the US military and implemented under the aegis of the CIA’s “Project MK Ultra”), but behind or in parallel to this first desire there is also a desire to discredit the validity of dissociative identity disorder (DID) as a medical diagnosis. While these two things—(1) the historicity of (aspects of) the Holocaust and (2) the validity of DID as a medical diagnosis—are separate from one another, we nevertheless find them conflated with one another in terms of “Grey Faction” desire. It seems that, for “Grey Faction,” if people can be convinced to doubt and dismiss the “Greenbaum” narrative as nonsense, so too will they doubt and dismiss as nonsense the validity of DID as a medical diagnosis (and, by extension, so too will they doubt and dismiss the legitimacy of psychiatry, practitioners of which are labelled “Doctors Inventing Demons” by members of the so-called “Grey Faction”). In this sense, The Satanic Temple’s anti-psychiatry campaign hinges upon Holocaust denial (or, at best, Holocaust ignorance), writing men like Miklós Nyiszli, Zenon Drohocki, Leib Langfus, Menachem Ekstein, and others out of history because of the inconvenient challenges they pose to dismissal of the “Greenbaum” narrative as “wildly implausible.”

It does seem quite natural that an emergent understanding of DID, which results from psychological trauma, and the Holocaust, a massive collective trauma with lasting psychological consequences, would be intertwined to significant degree. In this regard, it’s noteworthy that Lifton discusses how the doctors at the Auschwitz death camp were “able to separate [themselves] psychologically from the killing process,” arguing that the conditions at Auschwitz, which was seen as a sort of grand “experiment” in and of itself, were conducive to the “splitting of [their] psyche[s]” (“Medicalized Killing at Auschwitz” 294, 290, 296). This does not seem dissimilar to the psychological process which is said to occur in the formation of dissociative identity disorder (DID), which “Grey Faction” is dedicated to negating the existence of. The following passage from Lifton’s research is worth quoting in full, as it may aid us in understanding not only why the historicity of the essential narrative elements in the “Greenbaum Speech” is plausible, but also DID itself:

“Finally, there was one overall mechanism [enabling medical professionals to separate themselves psychologically from the killing process], that which I call ‘doubling,’ within which all the other [mechanisms; e.g., ‘technicizing’, ‘psychic numbing’ or ‘derealization’ or ‘the sense that one was on a separate planet’, ‘heavy drinking’, ‘construction of meaning’, ‘blam(ing) the victim’, relishing ‘a sense of omnipotence that could protect them from their own death anxiety’, ‘feel(ing) sorry for themselves for having (…) (a very tough, unpleasant job that they simply had to do)’, etc.] operated. It includes compartmentalization or ‘splitting’ of various elements of the psyche, so that one could both participate actively in the killing and remain tender in one’s family relationships and even occasionally in certain relationships in Auschwitz. Use of the term doubling, rather than mere splitting, calls attention to the creation of two relatively autonomous selves: the prior ‘ordinary self,’ which for doctors includes important elements of the healer, and the ‘Auschwitz self,’ which includes all of the psychological maneuvers that help one avoid a conscious sense of oneself as a killer. The existence of an overall Auschwitz self more or less integrated all of these mechanisms into a functioning whole, and permitted one to adapt oneself to that bizarre environment. The prior self enabled one to retain a sense of decency and loving connection. The extraordinary demands of functioning in Auschwitz seemed to require doubling of this kind and at the same time sufficient integration of the two selves for general psychic functioning. To an important degree, ideology can serve as a bridge between two such selves. For instance, the strongly held image of national and personal revitalization associated with the Nazi movement could be compatible with both the prior self and the Auschwitz self, and could thereby provide the necessary psychic common ground,” (Lifton, “Medicalized Killing at Auschwitz” 296).

Lifton seems to be saying that involvement in the perpetration of trauma also creates a kind of dissociative identity disorder. It might be possible to add further clarity to the distinction Lifton makes between “doubling” and “splitting” in that “doubling” could be seen as more specific to perpetrators of trauma (in whom psychic compartmentalization is ideologically necessitated in order to accomplish various criminal-political tasks), whereas “splitting” (implying more multiplicity and being less ideologically coherent) can be conceived as more closely related to the type of dissociative disorder experienced by victims of trauma. The phenomenon of “doubling” or “psychic splitting” into “ordinary self” and “Auschwitz self” seems necessarily to imply a kind of dialectical antagonism or binary opposition between private and public spheres or domains (respectively associated with relationships with family and close friends on the one hand and political and professional relationships on the other). For many, it may not seem unusual or pathological that a member of modern society would behave differently in public than they do in private, such as by “acting professionally,” for example. But that is only because we have become used to the social alienation which arises due to living in a society where fully “being oneself” in the public sphere means encountering hostility. One mechanism for coping with this alienation is to retreat into more private social domains where control over the Other is greater, but this can become problematic in that it may lead to a feeling of resignation from contestation of control of the public sphere (i.e., from political consciousness), which means that one has become dissociated from concern for the commonweal. In that case, one cultivates a public persona which is extraordinarily alien to the “ordinary,” or private, self.

Nevertheless, what Lifton describes seems to be something more. It is the splitting or doubling of the personality into two morally contradictory selves: one which is bad or monstrous and another which is good or decent. Thus we have (1) psychic splitting of the self into a public self and a private self and (2) psychic splitting of the self into a decent self and a monstrous self (or an ordinary self and an extraordinary self). The dissociative doubling of the trauma perpetrator’s personality occurs at the intersection of social (public/private) and moral (decent/monstrous) axes.

We can observe two distinct kinds of dissociative doubling which have dialectically opposite valences along the social and moral axes. One is the publically decent, privately monstrous individual (whose archetype is the Satanist) and the other is the publically depraved, privately decent individual (whose archetype is the reluctant Nazi, or the person who has become a Nazi mainly due to the force of social trends). These archetypes are based on what may be posited as the standard conceptions of a Satanic cult and of a Nazi society. The Satanic cult is a corrupt circle of evil individuals (who act out in private) within what is otherwise, at least superficially, a society in which common decency and authentic morality prevails, whereas it is commonly thought that a great many of the complicit members of a Nazi-run society are theoretically “good at heart”; they are “decent” people who behave tenderly with loved ones in private and who would behave differently in public if circumstances were different, who are caught up in and coerced into conformity by hegemonic systems of organized crime controlled by corrupt and immoral public authorities. Often the Stanford prison experiment is cited to justify this view. In the Satanic cult situation, the individual’s personality is split between an ordinarily decent public self and an extraordinarily monstrous private self, while in a Nazi-run society, the psyche is split into an extraordinarily monstrous public self and an ordinarily decent private self. In both situations, the individual navigates and switches back and forth between two selves whose relation to one another is tense. We see therefore that the problem of psychological dissociation as it relates to social alienation seems to rest in part on the distinction between private and public spheres, but also on the moral turmoil caused by participation in extraordinarily immoral acts, such as organized killing and sexual violence, but also more ordinary immoral acts, such as participation in capitalist processes which seem to legitimate the abstract separation of exchange-value from use-value (justifying war-profiteering, for example, but also making us blind to the social nature of our commodified relationships as producers and consumers), which many members of capitalist society may only be somewhat unconsciously aware of.

While we do see two distinct forms of psychic doubling in examining the archetypal Satanist, whose madness is kept private but may be somewhat normal in public, and the archetypal Nazi, whose madness is expressed publicly as complicity in the enthronement of evil as state policy but who may be somewhat normal in private, there is nevertheless a difference between the reluctant member of the Nazi society who is drawn into immorality by the overwhelming negative influence of an evil public authority and the ideologically committed individual who was a Nazi before society became subject to Nazi authority. The privately evil Satanist and the Nazi public authority each desire to penetrate the social domain where their influence is lacking and fill it with their immorality, but the ideologically committed Nazi who has not yet sufficiently taken control over the public sphere necessarily resembles the Satanist, and, in the era of neo-fascism, will seldom openly identify with the historical legacy of Hitlerism. Herein we find a major cause of the affinities between fascism-as-a-crypt, crypto-fascism, neo-fascism, and modern Satanism (see: Preface).

There is a fear, commonly stoked by reactionaries and crypto-fascists who never tire of issuing dire warnings about the next looming wave of “moral panic,” that if our willingness to confront evil within the private sphere is “too extreme,” it will lead to “totalitarianism,” to lack of privacy, to violation of the sanctity of the atomized “nuclear family,” to “hysterical allegations,” or to the enthronement of a tyrannical false morality over the public sphere which invades the private spheres where authentic morality is preserved. Operating on this fear is a recipe for a life of resignation and accommodation to Nazi-run society and mass proliferation of hellish childhoods. It is not willingness or desire to abolish the distinction between private and public interests that is emblematic of fascism, but rather the increasing privatization of the public sphere, wherein social interaction occurs more and more through the prism of commodification and private control. It can be supposed that the appeal of “Satanic” and “occult” aesthetics within US popular culture today results largely from the rapid multiplication under late capitalism of privatized social interactions; fascination with the “occult” stems from the idea that, by entering a more private (more occult) space, one becomes free from society. But this is absurd. Retreating into the private sphere may offer some temporary relief from the social alienation and oppression encountered in public, but it offers no fundamental solution, and slowly but surely the private sphere stops being a place which offers respite from the oppression encountered in public. To resolve this contradiction, it is necessary to align socialism and morality, thereby abolishing the opposition between public and private spheres, which is largely an ideological, or superstructural, artifice arising on the basis of private property.

The role of ideology as a mechanism which can ensure, as Lifton puts it, “sufficient integration of the two selves for general psychic functioning” evokes a number of examples beyond that of the staff of the death camp at Auschwitz. W.E.B. DuBois, who would later visit Nazi Germany, spoke of “double consciousness” and the difficulty of integrating one’s two selves as an American and as a Black person, “two warring ideals” that seemed, or seem, impossible to satisfactorily integrate within a single psycho-cognitive apparatus. On the other hand, “doubling,” as a survival mechanism, might not always need to be considered as a bad thing; for example, linguistic “code-switching” could be thought of as a way in which the oppressed preserve the authentic self, whose dialect is devalued by the public authority. Perhaps nationalist ideologies more generally can be seen as fomenting this “doubling”; as the citizenry of a nation or ethnos is naturally elevated by nationalist thinking to a status of higher importance or greater concern than humanity as a whole, the latter inevitably becomes conflated with something alien. Virtually all humans today, being subject to claims on their bodies by nation-states, are thus subjected to a splitting of their psychic apparatus. While a particular culture is a necessary modality through which the abstract idea of a universal “human being” is realized, it may be that the degree to which the psyche is split varies from nationalist project to nationalist project, with the worst splits occurring in imperialist cultures.

We have thus corroborated all of the supposedly “fantastic” or “wildly implausible” elements of the “Greenbaum” story. Chronologically, the following key points can be given to sum up the facts which lend support to the plausibility of the “Greenbaum” story:

(1) The belief that the knowledge of Kabbalistic mysticism associated with Ashkenazic (German) Jewry was actually an encrypted form of Germanic pagan gnosis which had been orally bestowed unto rabbis during the Middle Ages by wise men of the “Aryan race” who were being persecuted by the Roman Catholic Church was an esoteric aspect of proto-Nazi ideology;

(2) the Nazis did recruit Jewish concentration camp inmates with specialized knowledge in certain fields, including psychiatry, anthropology, and rabbinic literature (which covers Kabbalah), to work as their assistants during the Holocaust and these individuals did, in turn, commit ethics violations and, in at least one case, initiate a psychiatric research project with SS approval, though they were themselves also victimized;

(3) the US government did recruit and offer protection to persons from Nazi Germany with specialized knowledge in the aforementioned scientific fields, many through “Operation Paperclip”;

(4) during the era of “Project MK Ultra,” the CIA pursued similar themes in its research and development projects and sub-projects as those which had been pursued by researchers in Nazi death camps, including the use of hypnosis and drugs in interrogation, poison-firing guns, and abusive applications of electroshock therapy;

(5) a doctor of Ashkenazic origin with an assumed name/identity similar to Greenbaum (i.e., Gottlieb, reportedly born Scheider), was in charge of “Project MK Ultra,” a covert program relating to mind-control research which began shortly after the end of the Second World War;

(6) ethno-psychiatric or psycho-anthropological research into the psychodynamics behind practices related to or involving witchcraft, magic, ritual sacrifice, trance and possession states, psychotropic drugs, divination, curses and invocations, and personality changes associated with religious experience was covertly funded by the CIA during the period of “Project MK Ultra,” with the development of “psychological warfare” techniques being among the suspected aims of this research (see: 6.3.2);

(7) the US intelligence community, of which the CIA is a part, had at least one operative (Michael Aquino) who advocated reading Mein Kampf as a Satanic “textbook” or “Bible” and who was also, during the era of “Project MK Ultra,” a high-ranking member of the Church of Satan, which attempted to revitalize Nazism by synthesizing it with the notion of “hereditary Judaism” and attributing crypto-Jewish identities to Adolf Hitler and other prominent Nazi Party officials;

(8) the same US military intelligence officer authored a key Church of Satan text called “The Ceremony of Nine Angles,” at almost the same time that US-allied British military intelligence operatives began to use Satanism as a psychological weapon in their war against the Irish independence movement, shortly after which said US officer parted ways with LaVey to be the leader of his own Satanic operation dubbed the “Temple of Set,” which coincided with the emergence of a UK-based Satanic operation called the Order of Nine Angles, whose discourses regularly expound a Kabbalah-inspired symbol identified therein as the “Tree of Wyrd,” which also evinces the US military intelligence officer’s influence in that the latter’s “Setian” sect had a sub-organization called the “Order of the Wells of Wyrd.”

The facts listed above are only those non-speculative ones which have been substantiated in reliable sources of information. Considering all of these arguments, it is abundantly clear that The Satanic Temple’s attempt to invoke the “Greenbaum Speech” as evidence of “the inextricable relationship between the […] demonization of Jews and the Satanic Panic libels of modern days” is entirely without substance. Moreover, given the plethora of ties between antisemitism and TST (as well as modern Satanism more broadly), its attempt to paint criticism of modern Satanism as antisemitic is absurd.

Recalling the dispute over the “racial roots” of Kabbalah, we are brought to another realization; namely, the realization that any insinuation that a “real” or “pure” German culture exists independently of “Jewish influence” is itself antisemitic. Agata Bielik-Robson, a Polish philosopher and professor of Jewish studies, has drawn attention to the thesis that the entire philosophical movement of German idealism was in fact based on the “philosophical translation of the theosophic motif of zimzum, that is God’s mysterious contraction” borrowed from Lurianic Kabbalah (University of Nottingham). The Internet Encyclopedia of Philosophy, “a peer-reviewed academic resource,” notes that “while it would be difficult to prove that any particular philosophy was responsible for German nationalism or the rise of fascism, it is true that the works of [philosophical authors associated German idealism were] favorite references for German nationalists and, later, the Nazis.” Although Nazism was essentially the product of a culture (i.e., German culture) that had been influenced to some degree by Judaism, whether directly or indirectly, such as via so-called “Judeo-Christianity,” this does not in anyway diminish the fact of its antisemitism or imply that the Nazis were “actually a Jewish movement,” as the godfather of modern Satanism, Anton LaVey, attempted to argue. It does however go to show that one of the central claims of Nazi ideology—that German culture is either “naturally” opposed to, incompatible with, or corrupted by Jewish culture—is false. Rather, German culture has been enriched by the contribution of its Jewish members.

Somewhat ironically, antisemitism outside Germany often takes on anti-Germanic undertones in addition to anti-Jewish ones. The so-called “Khazar hypothesis” (or myth), which is popular among antisemites, says that Ashkenazi Jews, also known as German Jews (Ashkenazi means German in Hebrew), are not the “real” Jews but “fake” or “imposter” Jews because they allegedly descend from a Turkic people known as the Khazars, who lived in a kingdom during the Middle Ages that was in the region of Eastern Europe that corresponds approximately to what is nowadays the Ukraine. According to the proponents of this hypothesis, the Khazars converted en masse to Judaism and they form the true “root” of Ashkenazic Jewish culture. This of course makes little sense, since the traditional language of Ashkenazic Jewry, Yiddish, is based on German dialects and is not Turkic, indicating the incubation of Ashkenazic culture in the medieval cities of “SHuM” (Speyer, Worms, and Mainz) in the Rhineland, and not in Khazaria. The Khazar “theory” also allows bigots to hide their antisemitism behind “anti-Zionism” by claiming that they don’t have a problem with “real Jews” but only with the “fake Jews,” who they identify as the “Khazar/Ashkenazi/German Zionists.” A Dutch antisemite named Jeroen de Kreek, who was arraigned for hate speech in 2012, even went so far as to suggest that the term “Nazism” is not an abbreviated form of Nationalsozialismus (the German word for “national socialism”), but rather of the Hebrew word for German Jewry, “Ashkenazim” (Eissens). Similar claims have been made in the Dubai-based English language newspaper Gulf News, which has also published Holocaust denialist material. One Gulf News piece claimed that “the Nazi holocaust was a mere lie, which was devised by the Zionists to blackmail humanity” and that “the holocaust was a conspiracy hatched by the Zionists and Nazis.” Another article titled “Nazism embedded in Ashkenazi mind,” also published in Gulf News, absurdly claims that “the Ashkenazi Jews […] became known as the ‘Nazis’ in the 12th Century,” and that “[i]n time, Nazism became a generic name for “the master race” to designate the Aryan race as one, which later became the Nazi party,” (Rahman).

Another prime historical example of the anti-German character of antisemitism can found at the end of the 19th century, when Alfred Dreyfus, a German-speaking French Jew from Alsace, was framed-up for a crime of treason which he did not commit by French antisemites, resulting in a massive scandal whose context was that of heightened tensions between France and Germany following the latter’s 1871 annexation of Alsace-Moselle. German revanchist ambitions on these allegedly “ethnic German” French territories would later serve as a prime pretext for the Nazi invasion of France.

More recently, during the May 1968 student and worker uprising in France, the phrase “We are all German Jews,” became one of the popular slogans of the movement; it was meant as a sign of solidarity with Daniel Cohn-Bendit, a left-wing student leader and Jewish German who was attacked for being “foreign” by opponents of the revolt, including the French Communist Party (which already had a history of employing antisemitic rhetoric, having openly voiced support in 1940 for the Nazi occupation of Paris on the basis of the Hitler-Stalin pact, and which would not begin to repudiate Stalinism until the late 1970s [Humanité]).

Although Donald Trump has found widespread support among antisemites, called participants in a neo-Nazi rally “very fine people,” and often speaks in apparent dog-whistles to white supremacists, his German ethnic background has arguably played a role in the rise in antisemitic discourse coinciding with his presidency. Investigative reports on Trump’s connections to the Russian state and alleged organized crime groups have tended to place a certain emphasis on Trump’s ties to Jews from Russia and other post-Soviet countries and Jewish organizations, such as Viktor Vekselberg, Boris Epshteyn, Felix Sater, Tamir Sapir, and Chabad (Schreckinger, Kampeas, Solnit, Haldevang), and even Vladimir Putin has attempted to downplay accusations of Russian interference in the 2016 US presidential election by suggesting that Jewish Russians (or “Jews, just with Russian citizenship,” who, like Vekselberg [Wechselberg] and Epshteyn [Epstein], often have German-sounding names) are not true Russians (Farrell). A year and a half before Putin’s antisemitic comments, “a spokeswoman for Russia’s foreign ministry” made similar claims, citing a “Jewish conspiracy” as responsible for the electoral victory of Trump in 2016 (BBC). Anglo-American TV personality John Oliver has attempted to exoticize Donald Trump’s name by popularizing the more stereotypically “Germanic” ancestral form of his name, Drumpf. This is not entirely dissimilar from the way in which, during the antisemitic campaign in the Soviet Union of the late Stalin era, “[i]t became common in derogatory articles to mention Jewish surnames in brackets, after the Russian pseudonyms used by the people under attack” (van Ree 205). Nor is it dissimilar from the way in which the antisemitic, proto-fascist writer Alfred Jarry (likely the source of inspiration for Satanic Temple co-founder Cevin Soling’s pseudonym “Malcolm Jarry”), ridiculed Alfred Dreyfus by spelling his name “Zweifuss” (see below).

LaVey’s belief in the myth of a “crypto-Jewish” Adolf Hitler mirrors in many ways the antisemitic myth of German Jewry’s “crypto-Khazar” origin. Both single out Ashkenazic Jewry as particularly prone to evil and deceitfulness, as forming the “bad” or “worst kind” of Jews, “fake Jews,” or the “synagogue of Satan.” Furthermore, LaVeyan antisemitism is partially consistent with the newer forms of antisemitic rhetoric exemplified by the Dutch and Emirati antisemites cited above, which instead of embracing Nazism and fully denying the Holocaust outright, have condemned Nazism as a Jewish or Zionist conspiracy and attempted to promote blame-shifting revisionist history, framing the Holocaust not as a crime against Jews, but as “Jew-on-Jew” crime, the ultimate exercise in victim-blaming. (Recall that Satanic Temple co-founder Douglas Misicko’s old Satanic internet radio friends, the Bugbees, have also engaged in this form of Holocaust negationism, during the same segment of audio in which Misicko states his belief that “it’s okay to hate Jews” [“Doug Mesner [Lucien Greaves/Douglas Misicko] Satanic Temple Anti-Semitic Rant”]). LaVeyan antisemitism condones the same myths, but instead of condemning Nazism and the Holocaust as “Jewish crimes,” it celebrates them as fantastically diabolical “Judeo-Satanic” criminal conspiracies.

The Satanic Temple uses a psychological device similar to that of the Church of Satan’s holding up of LaVey’s would-be “Jewishness” as a fig leaf to cover the stark reality of their deep ties to neo-Nazi and white supremacist groups and rhetoric by appearing to place a certain amount of emphasis on the self-proclaimed “Jewishness” of its own “Malcolm Jarry” (alias of Satanic Temple co-founder Cevin Soling). For example, a New York Times piece notes that Soling “was raised by irreligious Jews” (Oppenheimer). Another piece in the Times of Israel identifies Soling as “secular Jew Malcolm Jarry.” The emphasis on this aspect of Soling’s heritage is presumably supposed to distract from or act as a safeguard against “small” matters of fact regarding TST’s ties to neo-Nazis, but we should not be so easily fooled.

Given The Satanic Temple’s penchant for tryhard pseudo-intellectual references to French fin-de-siècle literati (e.g., the antisemitic writer Anatole France), it would appear likely that Cevin Soling’s Satanic alias (Malcolm Jarry) is a reference to Alfred Jarry, who in addition to praising the alcoholic drink absinthe (a topic which TST has held talks on, attempting to use the widespread banning of absinthe throughout the Western world in the early 20th century to reinforce the “moral panic” meme), was an antisemite whose work was fundamental to the rise of 20th century fascism. The titular character in Alfred Jarry’s most famous work, an 1896 play called Ubu Roi (“King Ubu”), is said to have first appeared as a character in another one of Jarry’s plays a year earlier, that one called César-Antéchrist (“Caesar Antichrist”), in which the character Ubu is the Antichrist. Jarry’s Ubu Roi was fundamental to the foundation of the fascist movement known as Italian Futurism, whose leader, Filippo Tommaso Marinetti, authored both the Futurist Manifesto and the Fascist Manifesto. Günter Berghaus notes in “Futurism, Dada, and Surrealism: Some Cross-Fertilisations Among Historical Avant-gardes” that “Marinetti’s first play,” Le Roi Bombance, “was modelled in many ways on Jarry’s Ubu Roi” and that Jarry and Marinetti were close friends, praising each other’s work and exchanging numerous letters (273).

Evidence of Alfred Jarry’s far-right affiliations don’t stop there. In Du mufle et de l’algolisme chez Jarry,” Henri Béhar notes that “examining the manuscripts of [Jarry’s] last novel [which he began to write in 1904 but was published posthumously], La Dragonne, [one discovers] that he was, like most of his colleagues at the [literary magazine] Mercure, on the reactionary path.” Béhar notes furthermore that “the antisemitism of Jarry explodes in the drafts of La Dragonne where a certain priest named De Rayphusce and his brother ‘good Jew, reserve officer Zweifuss’ appear” in a chapter titled “Porc-grome,” an apparent play on the words “pork” and “pogrom” (“humorously” conflating the Jewish custom of avoiding food, such as pork, that is not considered “kosher” with anti-Jewish mass murder events). Making fun of Dreyfus (“bon juif” De Rayphusce/Zweifuss”) and genocidal pogroms in this way is basically the turn of the 19th to 20th century French equivalent of making a tasteless T-shirt based on the murder of Trayvon Martin, as Satanic Temple “High Priest” Brian Werner did (Chapter 4). It is important to emphasize the fact that, when Alfred Jarry was writing his “pork pogrom” piece, a devastating wave of ritualistic and often sexualized mass violence and rioting had just broken out against Jews in Eastern Europe. Diverse sources note that the 1903–1906 pogroms, which resulted in thousands of raped and/or murdered Jews, were coordinated with the Eastern Orthodox Church, with the riots beginning in Chișinău at the end of the Orthodox Easter Sunday rituals. Alfred Jarry’s flippant “pork pogrom” treatment of these events was also “avant-garde” in foreshadowing the fact that, in the current period, numerous right-wing extremist-perpetrated Islamophobic hate crimes (which are another class of antisemitism, in a sense) have involved the use of pork meat or the body parts of pigs in attempts to insult or degrade Muslims, with Donald Trump even going so far as to publicly recount at a mass political rally a racist legend about US militarists dipping their bullets in pigs’ blood before massacring Muslims during the US colonial occupation of the Philippines, which followed the Spanish-American and Philippine-American wars at the turn of the 19th to 20th century (Fisk).

The fact that evidence (including The Satanic Temple’s penchant for absinthe and Belle Époque literary depictions of Satan, which is basically Alfred Jarry in a nutshell) strongly suggests that Soling’s Satanic namesake is Alfred Jarry, an antisemitic reactionary whose work was a fundamental influence on the 20th century fascist movement, says a lot the true nature of the deceptive sect known as The Satanic Temple. Far from refuting the fact of modern Satanism’s antisemitic character, the involvement of Soling (as a “secular Jew”) in The Satanic Temple appears to be more in line with the LaVeyan position that “any person […] who’s accomplished anything in his life had a real disdain for his own ‘people’,” (Barton, Ch. 19). Offering further commentary on this topic, the would-be “born Jew” Anton LaVey, godfather of The Satanic Temple’s brand of Satanism, opined that “people that come from Jewish backgrounds […] are the most rabid anti-Semitic people I know. And I don’t blame them,” (Barton). Indeed, if Hitler is the archetypical “Satanic Jewish Nazi,” as LaVey and others have suggested, then having “a real disdain for [one’s] own people” would be absolutely in line with our expectation that any so-called “born Jew” in the Satanic movement today is, with regard to the contradiction between his/her cultural identity and his/her political praxis, no different from any so-called “born Jew” involved in supporting neo-Nazi movements today, and no different from any so-called “born Jew” who was involved in orchestrating the Spanish Inquisition or the expulsion of Jews from Spain.

 

 


CONTINUE READING… 7. Reactionary Sexual Politics of “The Satanic Temple”

OR RETURN TO TABLE OF CONTENTS (Anatomy of a Crypto-Fascist Sect: The Unauthorized Guide to “The Satanic Temple”)

How Anti-Feminist Backlash Contributed to the Myth-Making of the So-Called “Satanic Panic”: The “Red Nurse” and “Nanny State” as Folk Devils

As a Red-baiter, it only seems natural that Underwager was also a rabid woman-hater. Michael Salter writes in Organised Abuse and the Politics of Disbelief:

“Underwager believed that that ‘hysteria’ about child sexual abuse was being fuelled by ‘radical feminism’ and women’s jealousy of the intimacy between men and boys (Geraci 1993). In one instance, he accused ‘feminists in America’ of waging a campaign of libel against him, following widespread criticism over his claim that ‘[p]aedopihles need to become more positive and make the claim that paedophilia is an acceptable expression of God’s will for love and unity among human beings,’” (251).

Underwager’s McCarthyist vision of a “conspiracy of female professionals strong‐arming children into destroying their families” (Salter 245) through the use of “Red Chinese brainwashing” and “Communist thought reform techniques” approaches that fear of the archetypal “Red nurse” outlined by Klaus Theweleit in Male Fantasies, a work which analyses the writings of members of Weimar Germany’s proto-Nazi paramilitary Freikorps, whose misogyny and, moreover, gynophobia was especially acute when it came to women who were also communists. The engineering of the “Satanic Panic” meme along these lines had everything to do with the perceived threat to patriarchal norms posed by women and their power as an organized group of workers. “[S]ocial workers […] as a predominantly female profession” were perceived as “storm troopers of the nanny state” (Cohen xvi) . The trope of the Red nurse’s morally corrupting influence and the spiritually corrosive effects of the “nanny state” on “the family” (Theweleit posits that the Freikorps men regarded the women who “serviced” the Red Army as prostitutes [or sex workers]) was also revived by Underwager, who maintained that “all forensic interviews with children provoked their sadistic sexual fantasy life, creating ‘psychotic’ and sexualised children who were ‘ruined for life’,” (Duncan 1987; Smith 1992; in Salter 256). Similarly, Underwager also allowed an article to be published in his “journal in 1991 about the ‘dangers’ of informing children about sexual abuse” (Cheit 437). Written by James Krivacska, a man who already had a prior arrest record for sexual abuse and who would later be “convicted by a jury and sentenced to twenty-six years in prison” for the same type of crime, the article argued that “after-the-fact association of ‘trauma’ […] with the pleasant genital […] fondling […] may ultimately interfere with [children’s] later experience of sexual pleasure as an adult,” (Cheit 437; 583).

The rise in popular concern with what goes on in private spaces was seen by the “witch-hunt” narrative’s true believers as a vehicle for “Red nurses” (i.e., social workers, therapists, psychiatrists, and other health care professionals) to enact the Communist Manifesto’s “abolition of the family” by advocating for increased state scrutiny and intervention into the bourgeois family structure. We see the same phenomenon today in advocates of “free-range parenting” and “unschooling,” who exhibit fear of “socialist” community intervention into the affairs of nuclear family units and of “Red” teachers (predominantly women) influencing children through the (unionized) public school system (a favorite theme of paranoid conservatives). Ironically, far from being an assertion of children’s rights, “free-range parenting” is actually a form of social enclosure; it is a re-assertion of the “right” of the patriarchs of the bourgeois nuclear family to shield their “property” (i.e., their children) from community influence. It designates “freedom” from the “corrupting” influence of working women, putting up walls and ramparts around the bourgeois family structure (which favors male control and production of the mass psychology of fascism by allowing “the man” of each household to play the role of a microcosmic Führer) in order to “protect” it from the “threat” of increasingly socialized forms of child care (which liberate and empower women). “Unschooling” is thus a pedagogy of the oppressors because it fends off the feminist social workers and “liberal Marxist” school teachers from intervening in the pedagogical development of the younger generations transitioning to working class adulthood, cementing the hegemony of the socially atomized upper middle class which can economically manage “homeschooling.”

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Figure 6.2. Detail from an anti-communist comic produced during the era of the (Second) Red Scare (Reddit). We can observe similarities between the cartoon’s portrayal of the American school system as a potential center of “Communist thought reform” by female teachers and Ralph Underwager’s claims about a “false memory epidemic” involving rumors of child abuse inside Satanic cults being spread by feminist social workers and psychiatrists using “Red Chinese brainwashing” methods to attack the hegemonic, idealized bourgeois model of the family as a predominant and pervasive authoritarian social institution and replace it with the “community of women” and “community of children” under the would-be Liberal or Marxian “nanny state.”

 

 


CONTINUE READING… 6.2 The Actual Moral Panic Behind the So-Called “Satanic Panic”: Exaggeration and the Weaponized Labelling of Historical Episodes as “Moral Panics”

OR RETURN TO TABLE OF CONTENTS (Anatomy of a Crypto-Fascist Sect: The Unauthorized Guide to “The Satanic Temple”)

Transmodernity is Burning

Transmodernity is Burning:

A Schizoanalysis of Transracialism and Transgenderism in Paris is Burning

* * *

By Daniel K. Buntovnik, 13 February 2017


What is transraciality, and who is transrace? The Rachel Doležal affair invites the question

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There is debate about the meaning of the term “transrace”. The prominence of discourse around the term “transrace” was elevated in the mid 2010s in the wake of the sensationalized story of Rachel Doležal, a woman who is said to have a verified genealogical tree which traces back to the peoples of Northern and Central Europe (but who is also said to have family members [in-law] of Sub-Saharan African descent), in addition to having deceived people in the Pacific Northwestern region of the United States of America into believing that she was a Black person with a pale complexion, acting as an NAACP leader whilst assuming this identity. She apparently did this by dyeing her hair darker and perming it, using artificial skin pigmentation-modifying (‘fake tan’) products, and perhaps affecting her speech with Ebonics elements. In the wake of the scandal over Doležal’s apparent deception, some individuals added to the discourse by denouncing the use of the term “transrace” to describe individuals like Doležal; they claimed instead that “transrace” should only be used to describe individuals who are raised by adoptive parents of a racial grouping deemed “other” to that of their biological ancestors. (See here, for example). While I do not wish to dwell excessively on this debate over the one “true” definition of the term “transrace”, I felt it was important to start out by acknowledging it before we delve into the topic of transracialism. And yet, another possible definition has been disconsidered: that the adjective “transrace” may fittingly be used to describe individuals who exist in a multigenerational process of racial transitioning.

Franz Fanon describes this multigenerational transracialism in Black Skins, White Masks (1952):

Shame. Shame and self-contempt. Nausea. When people like me, they tell me it is in spite of my color. When they dislike me, they point out that it is not because of my color. Either way, I am locked into the infernal circle. I turn away from these inspectors of the Ark before the Flood and I attach myself to my brothers, Negroes like myself. To my horror, they too reject me. They are almost white. And besides they are about to marry white women. They will have children faintly tinged with brown. Who knows, perhaps little by little. . . .

Following the intergenerational/transgenerational distinction developed by theorists in the field of psychogenealogy such as Anne Ancelin Schützenberger, we might call the form of transracialism evoked by Fanon intergenerational, because the racial transition occurs as the result of a conscious effort made by the ancestor on behalf of the descendant, so that the latter may be accepted into a racial category to which the former did not belong, while we might call a multigenerational transracialism transgenerational when it occurs unconsciously, without the individuals involved becoming aware of the process, perhaps due to unconscious absorption of white supremacist cultural values.

Due to white supremacy, the racial transitioning process in America has usually gone in the opposite direction to that observed in the case of Rachel Doležal. That is to say that white supremacy encouraged individuals of the Sub-Saharan African diaspora in the United States of America to long for whiteness, a racial ideal which was construed as an unstigmatized personal state for the individual. American literary works such as Sinclair Lewis’s Kingsblood Royal (1947) and Fannie Hurst’s Imitation of Life (1933) have immortalized these tales of “tragic mulattos” and “tragic quintroons” like Peola and Neil Kingsblood, protagonists of the aforementioned works for whom being racially “outed” spells personal catastrophe. The upwardly mobile individual is also always white-wardly mobile in a global economy constructed around the fiscal elevation of those racialized as “white”. Perhaps this is why many found the acts which Rachel Doležal performed to be somehow troubling. She achieved upward mobility, gaining a certain social prestige in becoming an NAACP leader, by adopting the mannerisms and the get-up (which we might well qualify as “drag”) that she needed in order to perform an historically stigmatized racial identity.

Drag as transgressive, transcendant tool for moving beyond limitations imposed upon one’s gender, race, sexual orientation

“Drag” typically evokes the practice of male “queens” dressing up and behaving as if they were women. This is, however, a limited understanding. In Jennie Livingston’s 1990 documentary Paris is Burning, we see that the drag shows performed at late 20th century balls in New York City consisted not only in the male adoption of feminine clothing and mannerisms (i.e. the gender-bending “drag queens” of stereotypical lore), but that these performances also operated across the racial plane of social difference. And the expanded possibilities of drag which the film depicts do not end there; race and gender are not the only modalities upon which drag operates. As other critics have pointed out, the film “extends this argument [that drag is a practice that can potentially draw attention to the imitative nature of gender itself through its parodic repetition of gender norms] to include the constructed nature of race and class identity as well as gender identity” [See: Lauren Levitt, “Reality Realness: Paris is Burning and RuPaul’s Drag Race” in Interventions Journal (7 November 2013)].

In a segment of the film devoted to the exposition of this class and race-nonconforming form of drag, we see individuals historically stigmatized as Black “homosexuals” perform power drag by symbolically taking on the roles of members of the U.S. military and “successful” (ruling class) white American individuals. Not only do the drag shows include Afro-diasporic subjects dramatically imitating (and thereby critiquing) European thought and behavior, but they also feature gays donning hetero-drag to perform straight individuality, offering thus their critiques of other stigmatized individuals occupying contextually determined contradictory positionalities vis-à-vis oppression, such as heterosexual street thugs “of color”, at their dance battling balls. Therefore, in addition to race, class, and gender, we can also add sexually orientative identities to the constructed modalities upon which drag operates. Closeted gays can be said to be performing this kind of drag in almost every moment of their lives. Indeed,  gender and sexuality researcher Lauren Levitt relates that, insofar as most everybody wants or expects to be accepted as a “real” iteration of a gender or ethnicity, “many writers” have made the case that “everyone essentially is in drag” [ibid].

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This individual dons power drag by imaginatively dressing in the manner of “an American”–a social category which for centuries has been racialized to the exclusion of non-“white” populations.
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A successful American business executive.
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This individual’s drag reflects critical perfomativity of “the boy that probably robbed you a few minutes before you came to Paris’s ball.”

The objective of the drag performance is to exude a kind of authenticity the drag ball community dubbed “realness”, which gender and sexuality researcher Lauren Levitt defines as “the extent to which a performance conforms to the standard by which it is being judged”. When individuals strive for realness in the assumption of new racial identities, it is called racial “passing”.

This broader sense of the possibilities of drag which the film conveys leads us to the realization that Rachel Doležal does indeed engage in a form of drag. A great deal of the controversy surrounding Doležal arises then from those skeptical of her realness, or lack thereof. It has to be admitted though that Doležal did have a fair degree of success in being able to “pass” as Black, her position in the NAACP leadership seeming to add to her realness.

How well does Doležal conform to the abstracted, “standard”-ized notion of “a person of color”? How valid is it to hold individuals up to such standards?

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Rachel Dolezal stands in a yard during autumn

Contesting ruling class recuperations

For what reason have the drag performances depicted in Paris is Burning been valorized by certain hegemonic forces within 21st century American society? It should be considered whether the decision taken in late 2016 by the U.S. government’s Library of Congress to “preserve and honor” the film, while appreciable, nevertheless signals a further step towards the recuperation of the revolutionary race and sex politics the film portrays (for example, in the Marxian, abolitionist attitude it conveys through its emphasis on the liberatory sociality of the drag ball “houses” as an alternative to the coercive sociality of the patriarchal, bourgeois standard of “the family”). This recuperation is mirrored in analogue developments such as the white engineering of African-American-led imperialism at the critical moment of burgeoning unrest at the tailend of the deeply unpopular, bank-bailing regime of George W. Bush, when the U.S. government donned transracial drag, using blackface to preserve its historical white power, as well as the sanctioning of gay-tolerant militarism achieved in 2011 via the repeal of the homophobic “Don’t Ask, Don’t Tell” policy.

Thus while the generalized upward mobility of Modern Family-esque 21st century homosexual male individuality within U.S. society via developments such as the legalization of gay marriage, based on and enabled in large part by events orchestrated by groups such as the Gay Liberation Movement and other trailblazing radical LGBTQIA+ activists required cultural subversiveness–such as the identification with “Third World” Marxists (e.g. the Gay Liberation Front’s nomenclatural identification with the National Liberation Front, which at that time was engaged in bloody armed conflict with U.S. military forces in Vietnam), the recuperation and assimilation of the traces of this subversiveness by the same forces originally targeted for subversion by subalterns signals a hegemonic counteroffensive.

But a DOLEŽAL archetype poses startling questions for the social movements in general; what do we make of white, or “formerly white”, individuals finding 21st century socio-economic success–however extravagant or modest that “success” may be–in the appropriation of Transatlantic Afro-diasporic Black identity, in the dissimulation of WASP assimilation? And while Doležal made headway in becoming a civil rights activist, does her brand of transracialism not open up the way for presumably less well-intentioned, Justin Bieber-type appropriators who would inevitably adopt this Transatlantic Afro-diasporic Black identity, to monopolize culture-linked profit ventures opened up by the development of black and gay markets and sections of the bourgeoisie? (This trend could be–indeed, has been–analyzed with elder cultural icons, such as Elvis Presley, although many efforts have been made to highlight the fact that Elvis was a Romanichal, and thus “not white”.)

While transgenderism has existed in a variety of cultures, and for a long time, it has become one of the more contentious matters which divides the contemporary gay activist community itself, most noticeable nowadays perhaps when we cleave the latter at its intersection with the so-called “TERF” (or “Trans-Exclusive Radical Feminist”, a term which some argue constitutes a slur) community, comprising individuals who may or may not be of Lesbian persuasion. Let us return to the matter of so-called “TERFeminism” later on. For now, we can take notice of the fact that the gay community taking part in the balls of fin du 20ième siècle New York City was also not united in its understanding of what it meant, at that time, to be a drag queen.

The phrase “the gay community” has, by 2017, come to sound somewhat old-fashioned. During the years of the mid to late 2000s, high school Diversity Clubs and Gay-Straight Alliances, tended towards use of the acronym GLBT for “Gay, Lesbian, Bisexual, and Transgender”, while in the 2010s the acronym LGBT has come to predominate over the former. We may suspect that this is a feminist victory because “gay” tends towards connotations of male homosexuality, and thus “gay movement” and “gay community” imply patriarchal forms, GLBT implying a gay-headed Lesbian movement. Meanwhile, the positionality of the letter T, at the end of the LGBT and GLBT acronyms shows its subordination, suggesting de-valuation of the transgender or “transsexual” community, which has long been known in part for its drag queens. Based on facts discernible in the film Paris is Burning (1990), many of the drag queens of ’80s NYC identified themselves as men who performed womanhood, and not as trans-women. An example of this is Pepper LaBeija, whose remarks in the film include: “Women get treated badly. You know, they get beat, they get robbed, they get dogged, so having the vagina, that doesn’t mean that you are going to have a fabulous life. It might in fact be worse.”

After watching Paris is Burning, my interest in learning more about the history of the U.S. gay community spiked as I recalled much of the hubbub which 21st century gay rights activism front groups for Marxist political organizations claim was roused out of the masses from the mere mention of the Stonewall Uprising, when homosexual members of the New York working classes were decisively victorious in staging a sort of insurrection due to social conflict between them, exploitative organized crime groups, and the harassive police forces. So it was around the same time that I viewed Paris is Burning that I watched another documentary film, also hosted by Youtube, that I had found about the Stonewall Uprising which occurred after an unlicensed, Mafia-rackateered gay bar called the Stonewall Inn was raided by oppressive, homophobic police. After that documentary was feasted upon by my eyes and ears, I saw a short video about five, or possibly ten, American gay riots which occurred before Stonewall, as far back as 1959, in California. From these sources, I gathered that the “gay bar” culture had really begun to spread during the 1960s. It occurred to me that, in a way, the gay bars replaced the speakeasies of the 1930s, being illegal drinking establishments which were sometimes owned by the mob. But there do exist those aficionados of the “gay bar” scene who may eschew the “homosexual lifestyle” itself, if we consider patterns of sexual relations between organisms constitutive of a lifestyle. One may also wonder about the sexuality of Italian mobsters who visited the Stonewall gay bar, if only to collect their dues. But I do question the value and legitimacy of the discourse of those individuals who advocate supporting the identity label “Queer” as a meeting point between the LGBT community and the LGBT community’s “weird” friends and then in retrospect perhaps do support the value and legitimacy of this notion, because I believe that one can, and indeed many do, frequent gay bars without necessarily having a true sentimental connaissance of homosexual desire, and therefore be identified, by some in the society in which that individual lives, as “straight”, but not the kind of “straight” that’s chill with gay bars–therefore becoming “Queer” in a way, due to proximity in the social movements historically associated with “homosexuality”, “bisexuality”, and “transsexuality”.

Trans- affinities

It had come to my attention that some of the drag queens in the film Paris is Burning were white-passing, due to the fact that in the comments section of Youtube, where Paris is Burning is hosted and available for viewing, a comment left by some forlorn internaut could be found identifying Dorian Corey, a drag queen, by the epitaph “the white drag queen”.

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In this still from Paris is Burning, we see Dorian Corey, who laments, “Unfortunately, I didn’t know that I really wanted to look like Lena Horne. When I grew, of course you know, Black stars were stigmatized. Nobody wanted to look like Lena Horne. Everybody wanted to look like Marilyn Monroe.”

Thereafter, another commenter chimed in, chiding the writer of the previous comment and asserting that Dorian Corey was African-American or Black. I’m not sure which ethnonym that commenter asserted to be applicable to Corey; perhaps they did not even identify one ethnonym or the other, but simply stated that Dorian Corey was, in fact, “not white”.

In the case of these individuals such as Dorian Corey and other lighter skinned, blue eyed “Negros” called (e.g. Walter Francis) White, it is thought that they are Black because of the One Drop Rule, which states that though they may in actuality be mainly European of ancestral extraction, they are in actuality BLACK due to the “predominance” of black blood over white blood. Frances Cress Welsing took this a step further, establishing the notion of whiteness as a genetically recessive phenomenon in her groundbreaking Cress Theory of Color-Confrontation, formalizing the pseudoscientific One Drop Rule from the standpoint of Critical Race Theory.

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Above: The original Walter White, a prominent African-American leader in the same organization as Rachel Doležal, before his name was culturally misappropriated by the father-figure actor from the American sitcom “Malcolm in the Middle” in an early 21st century prestige television program about methamphetamine.


Frances Cress Welsing was a successful psychoanalyst who, alongside other luminaries who brought forth the discourse of Afrocentricity during the 1970s and 1980s, mastered the craft of psychoanalytic, and some would argue, “pseudoscientific” racial theorizing.

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Frances Cress Welsing

Though aspects of Cress Welsing’s multi-decade oeuvre could possibly be subjected to a number of sound criticisms, more deserving of recognition and attention here is one of her final nuggets of wisdom. I refer here to her astounding analytic insight into the twisted psyche of Dylan Storm Roof, the White Southerner currently on death row for having perpetrated on June 17, 2015 the massacre at the Emanuel African Methodist Episcopal Church in Charleston, South Carolina, in which he ended the lives of nine innocent individuals for no reason other than his white power delusion (though we must be careful not to excuse or downgrade the responsibility/despicability of white power political extremist thinking and organizing with psychopathological terminology such as “delusion”). Shortly before her death on January 2, 2016, Cress Welsing illustrated clearly with her elegant, prosaic speech that Dylan Storm Roof had a racialized sexual fetish, perhaps based in a violence-prone complex of racialized sexual inferiority, which was expressed with the symbolic re-presentation of his phallus as a large black pistol, playing up the racial stereotypes.

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Above: In this photo we see the soon-to-be lethally injected Storm Roof placing a firearm in an arguably sexually suggestive location in relation to his body, dangling it between his legs, and surrounding himself with potted flowers. Sigmund Freud advises that we should not forget that flowers are in fact the genitals of plants. Notice how the black pistol forms a graphic connection between the reproductive organs of the non-human life forms and those of Storm Roof. This racialized sexual transference–the replacement of the white penis with the black phallic object–stands as further evidence of the intersectionality of transgenderism and transracialism. Although Storm Roof’s phallic substitution does not constitute transgenderism (the pistol being a male gendered, penile object), it is transsexually transracial.


The attentive viewer of Paris is Burning will observe the interesectionality of transracialism and transgenderism, which is particularly striking in personages such as Dorian Corey (though not only). The film evidences a certain affinity between the phenomenon of gender-transitioning and that of “Negro” to “white-passing” (to “white”) transgenerational transracialism–a historical process occurring among many individuals who also happened to share an interest in transitioning themselves from being “men” into being “women”, whether permanently in day-to-day life or temporarily in the ritualized context of the balls.

The academic who prefers not to capitalize the first letters of her pen name, bell hooks, identifies the project of the drag queens depicted in Paris is Burning as simultaneously transgenderist and transracialist in “Is Paris Burning?”, a chapter in her 1996 book Reel to Real: Race Sex, and Class at the Movies:

Within the world of the black gay drag ball culture she [Livingston] depicts, the idea of womanness and femininity is totally personified by whiteness. What viewers witness is not black men longing to impersonate or even to become like “real” black women but their obsession with an idealized fetishized vision of femininity that is white. Called out in the film by Dorian Carey [sic], who names it by saying no black drag queen of his day wanted to be Lena Horne, he makes it clear that the femininity most sought after, most adored, was that perceived to be the exclusive property of white womanhood.

But let us consider why, on the most basic level, this affinity exists.

As evidenced by their common prefix, it can be remarked that transgender and transracial peoples are fundamentally alike for one essential reason: they are in transition. One transitions from a gender; the other, from a race. Like drag performers, they also commit what is viewed as transgression by transcending the limitations socially imposed on their assigned identity.

There are some significant differences between the phenomena of gender and race transitioning. One is that the gender transition takes place within the course of a lifetime, affecting primarily the individual, while the racial transition described here is transgenerational, affecting collectivities such as clans and family units, as in the fictional examples of Peola or Neil Kingsblood.

Transgenerational transracialism is the story of coercive assimilation to white supremacist society, which explains why more members of the Afro-diasporic population in the U.S. now identify, or perhaps are identified by others, as “white” than as “black”. That is to say that, despite both the One Drop Rule and Cress Welsing’s notion of white genetic recessivity, so-called “interracial” sexual-reproductive relations (or “miscegenation”) have in fact caused more individuals among the U.S. population which is of varying degrees of mixed European and African ancestry to be identified as “white” (or “passing”?) than as Black. This is made possible by the white supremacist drive of bourgeois anti-culture, which also introduces “colorism” into the heart of the Black community. It seems more of a question of cultural assimilation than a would-be problem of “genetic drift”; the hegemonic white patrons of Western colonialism seemed to catch on symbolically, with many more Littles and Clays than Xs and Alis coming to predominate over the Afro-diasporic populace. However, this white supremacist push to transgenerationally assimilate “minorities” cannot be resolved with a superficial change in the way of thinking about racial identity, such as by merely instructing these white-passing, distantly Afro-diasporic masses to accept themselves as “genuinely” Black due to their existence being the direct result of the Transatlantic Slave Trade. That’s why it is also important to render cultural practices such as aesthetic skin bleaching taboo, and to diminish sentiments of racial fetishization of whiteness as a desired sex characteristic by giving due value and implementation to notions such as black pride and beautifulness. Only then will the current historically-based form of Transatlantic Racialized Slave and Master Social Classes discrimination be overcome. The hard cores (aka nucleos duros or asilis) of each national, or ethno-cultural, archetype will survive for some time in a mosaic fashion within the united global world economy, even as this develops into an environment of total cultural egalitarianism. What “white people” have to understand is that whiteness is not so much an ethno-cultural expression, but a tool of capitalist coercion which censors such expressions.

Some leftist writers implicitly suggest that Karl Marx himself was “transrace”. In “On the Social Ontology of ‘Race’ — Was Karl Marx White? And Is He?” Steve Darcy at The Public Autonomy Project essentially argues that, given 19th century Europe’s racial othering of Ashkenazic Jewry, Marx was perceived as racially “Other” in his day, but given the near-consensus among 21st century individuals that Ashkenazic Jewry is encapsulated by “whiteness”, Marx has therefore become a transracial subject, having been non-white during his own lifetime while nevertheless being now (rightly?) considered a “dead white male”. I would, however, contest the notion that Marx’s epitaph should read “dead white male”, any more than Dorian Corey’s ought to, because if we accept the previous half of this argument (i.e., that Marx was perceived as racially “other” during the 19th century, considered as something analogous to what might today be called “a person of color”), then he should still be understood, as a historical personage, with that fact in mind. The matter is further complicated by the fact that Karl Marx was perhaps of African descent, his family having called him by the nickname “the Moor” due to “his dark complexion”.

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Drawing of a young Karl Marx, whose nickname “the Moor” is said to have reflected his physiognomy.

Darcy’s consideration of Karl Marx as transrace is analogous to the way in which drag queens such as Dorian Corey may be perceived by ignorant early 21st century viewers of Paris is Burning as belonging to another “race” than the one with which they were identified by populaces of late 20th century New York (or by more knowledgeable individuals of our time who are aware of the historico-cultural context in which the film’s personages lived). In this perspective, it is clear that transracialism exhibits a high degree of contingency upon historico-contextualization. Ironically, the Youtube commenter who thought Dorian Corey was a white person, seemed to somehow discount the very point Corey tries to make in the film about the other drag queens identifying more with the white Marilyn Monroe than the black Lena Horne. Corey seemed to view the transracial aspect of the drag queens’ aspiration as pathological. Corey informs us that, “In a ballroom you can be anything you want”, but signals disdainfulness for the fact that most wanted to be white. This white supremacist drive has other bizarre manifestations, such as a whole sub-genre of hypnotic videos, also available on Youtube, featuring low-frequency and binaural sounds to help individuals “get pale white skin” (trigger warning: deeply unsettling).

Let’s return now briefly to the previously mentioned issue of the divide which exists among and/or between the members and supporters of LGBTQIA+ communities and a certain type of women’s movement activist labelled, usually by critics of this line, as the “trans-exclusive radical feminist”.

An interesting selection of facts begins to emerge when we cross-analyze LGBTQIA+ discourses and so-called “TERF” discourses, along with those of another group often allied with the latter, the “SWERF” (or, “Sex Workers Exclusive Radical Feminists”, another term which those to whom it is applied often deride as a stigmatic exonym, similar perhaps to calling advocates of reproductive rights “anti-life” instead of “pro-choice”). It appears that while transphobia can and does exist among homophiles, it is less likely, although not impossible, for homophobia to exist among transphiles. It is, on the other hand, still quite possible that misogyny exists among transphilic homophiles. We get this sense of homophilic transphobia a bit in Paris is Burning, when some of the gay drag queens vehemently dispute the notion that they would become “girls” or “women”. In this light, the ’80s NYC gay community involved in the ball and voguing scene might be seen as sexually fueling the capitalist sex trafficking trade, because these transgender and gay male drag queens served to increase the liberation of individuals from the sex economic repression of the moral mainstream of society, which in turn liberalized and enhanced the sexual marketplace, the figure of the trans-woman scarcely separable from the trans-woman-philic straight male sex commodifier, whom members of the heteronormative society deride as homosexual, not accepting the trans-woman as a “real” woman, whom the “TER” feminists chastise for re-inforcing gender roles as opposed to transcending them.

The TERF and SWERF critique of “transgender-ism” thus replicates the critique of certain social justice advocates against Rachel Doležal’s brand of “transracialism”; if the goal is to abolish gender, then the goal is surely to abolish race as well. This proposes a bit of a problem however because we could anticipate that different tensions might arise from the proposal to mold all of the world’s peoples into some pan-human descendent kin. If we take the Noel Ignatievian notion of “racial abolitionism” at face value, that we must “abolish the white race”, there is a real tension between, on the one hand, the idea that this racial abolitionism is largely metaphorical, and that by superficially changing our ways of thinking and behaving, we remove our socially constructed racial identifications although the pan-human descendants will continue to display a range of physiognomies relatively similar to that which exists now, and on the other hand, the idea that privileged sections of “First World” populaces will need to be deported en masse to more egalitarian environments in the so-called “Global South”, where the formerly privileged are likely to perceive egalitarianism as social subordination until the consciousness of their descendants has been altered to fully accept the abolition of white supremacy. If we accept the One-Drop Rule-esque Color-Confrontation Theory of Frances Cress Welsing, then we must admit that the transition of humanity’s descendants to a pan-human kinship will preserve human blackness while eradicating whiteness. The premise of this proposition (that the abolition of racism, combined with white genetic recessivity, results in the abolition of an oppressive social construct disguised as an ethno-cultural group known as “white people” but not in the abolition of “black people”) should perhaps be reconsidered, because it forms the entire basis of anti-miscegenationist hysteria and the neo-Nazi ethos.

The “Homosexuality” of White Supremacist Thought and Behavior

A bitter irony of the white supremacist (also known as “America First-ist”) and/or neo-Nazi worldview is that Nazism, or white racism in general, is actually fundamentally premised on Homosexuality. I know this is a startling claim, but I will explain why this is so in the text which follows.

Nazism creates the sexual fetish of race, proclaiming the Aryan-on-Aryan action needed to create a HOMO-genous racial community, a volk based on the HOMO-sexual love which one Aryan man feels for one Aryan woman, and vice versa. Now that we have established Nazism as a sort of homosexual ideology, we can also observe that it nevertheless incorporates heterosexuality on the gender plane of desire. This contradiction is possible because semi-autonomous planes of sexual desire rely on many basic features of the human body and identity which can be exploited for the Twoness principle: masculinity, femininity, blackness, whiteness. The only difference between the gender and racial planes of sexual desire though is that, gender being historically and culturally linked to sex (and until the emergence of gender theory, essentially synonymous), gender preference in sexual orientation cannot be rightly considered a “fetish”, while sexual orientations axed around preferences with regard to the race or ethnicity of potential sexual partners are fetishistic, because ethnicity is not an intrinsically sexual feature, or at least not linked to sex in the same way as gender. Nevertheless, the reproduction of racial identity groupings (e.g. “white people”) relies on sexual reproduction, so the anti-miscegenationist, the white supremacist, nationalist, neo-Nazi, or “alt rightist” sexualizes white skin and other physical features associated with pseudoscientific “white” racial identity, turning these features into sex characteristics. The emergence of the term “cuckservative” or “cuck” as a neo-Nazi or alt-right insult for rival white nationalists (or rather, conservative U.S. nationalists/American patriots who just so happen to be white, such as Jeb Bush, for example) who do not embrace anti-miscegenationism, which “[alludes] to a genre of porn in which passive white husbands watch their wives have sex with black men” also demonstrates the sexually fetishistic nature of this ideology’s fixations.

Culturally, an important divide within the right-wing white people community exists between advocates of Christian identity, who believe that “white people” are “a lost tribe of Israel”, and those such as Augustus Sol Invictus, Varg Vikernes, etc. who reject “Judaeo-Christianity”, embracing instead efforts to construct a new Eurocentric pseudo-spirituality by appropriating aspects of the pagan mythologies of pre-Christian Europe, sometimes combined with Satanism–(there are also those such as Michael Aquino and Richard Spencer who do the same thing but, in an even more blatantly culturally misappropriative manner, construct their Eurocentric pseudo-spiritualities around African, namely Kemetic, mythology [See: “Temple of Set” and “Cult of Kek”]). This can be quite revealing about the racially fetishistic homosexual nature of white supremacists, because the ancient peoples of the arbitrarily delineated landmass known today as “Europe” were known for valorizing homosexual relations. In Plato’s Symposium (circa 380 BC), the Ancient Greek man Pausanias, known for being the lover of the male poet Agathon, distinguishes between two forms of love.

Pausanias maintained that there exist:

  • (1) Common Love, or Popular Love, which occurs between a man and a woman, and
  • (2) Celestial Love, which is homosexual and exclusively male.

In Ancient Greek culture, the hegemonic belief was that men were superior to women, and therefore the homosexual love between two superior, male beings was superior to, and spiritually more powerful than heterosexual love, occurring between a superior and an inferior being (i.e. a man and a woman). Nazism inherits this same paradigm, sublimating only one minor aspect of it (transferring the operation from the gender plane of sexual attraction to the racial plane of sexual fetishism), in considering racially homosexual unions of white couples superior to the racially heterosexual unions between members of the so-called “master race” and the supposedly “inferior races”. In the modern iteration, this form of homosexuality is encouraged through the policies of white supremacist leaders such as Obama, who deported more foreigners from the United States than any other president, and Trump, whose recent short-lived ban on millions of racially “othered” foreigners from the possibility of entering the United States served to reinforce diminution of the chances that the insular people of the Fortress-like white supremacist state will encounter “inferior” peoples and procreate with them.

Another indication of late-stage Nazism’s indebtedness to the supremacist ideal of Celestial Love is hinted at in the former’s advocacy of transracialism. The neo-Nazi David Myatt, founder and predominant theorist of the eugenics-cum-human sacrifice advocating Satanic cult called “the Order of Nine Angles”–analysed in my treatise “What is Net-Centric Warfare?”–calls for the transformation of Homo sapiens into something he dubs “Homo Galactica”, a so-called “master race”. Like Pausanias’ Celestial Love, Myatt’s Homo Galactica advocates supremacist unions and alludes to outer space, suggesting a “heavenly” outcome for those who engage the superior sexual practice. Only the gender supremacist aspect of “Celestial Love” has been swapped for racial supremacism in the “Homo Galactica” master race fantasy.

The appearance of homophobia among white supremacists is a point of tension, and perhaps an Achilles’ heel to their ideology, because, like the white-passing characters in Kingsblood Royal and Imitation of Life, the exposition of the homosexual genesis of their doctrine may inspire terror in the neo-Nazi psyche, threatening to bring it shame and embarrassment. The fascist repression of homosexuality expressed through homophobia and anti-LGBT bigotry has traditionally been, in the final analysis, deemed necessary in order to sublimate the drive of “standard” homosexuality (especially male-on-male “Celestial Love”) into the racial (white-on-white) homosexuality required for the fulfillment of the “Fourteen Words” (i.e., the neo-Nazi ethos).  In this case (in which the fulfillment of modern Christian white racial homosexuality is predicated upon the sublimation of ancient pagan gender homosexuality), the elimination of the homophilia taboo from the gender plane of desire may erode in part the basis for coercing individuals into compliance with the white supremacist value of homophilia on the racial plane of desire.

On the other hand, the recent attempt by sections of the far-right to give neo-Nazism a facelift not only by rebranding it as the “alt-right”, but also taking a slight step back from machismo and “traditional” heterosexual masculinity (e.g. confluence of the alt-right with so-called “beta” masculinity, or the emergence of misogynistic, anti-feminist “men’s rights activist [MRA]” gay men) is revealing of a rapprochement between neo-Nazism and homosexuality, a fact which has not gone unnoticed by many of those who have begun to study this iteration of “information age” neo-Nazism. The attempt of sections of the alt-right to revive the ancient principle of male supremacist “Celestial Love” is another instance of recuperation and fascist subversion, capitalizing on advances made by the Left in the sphere of gay rights to serve oppression by attempting to force a realignment of gay men to stand on the side of the oppressors, in the U.S. military and corporate world, alongside adherents of white male bourgeois supremacy. Still, “traditional” white supremacy’s basis in racial homosexuality can easily lead white supremacists of the more “traditional” (anti-gay) variety to slip into practices which would be perceived as “homosexual” in the common understanding of that term. In that regard, the instauration of a “Celestial Love”-grounded white male supremacist movement, whose embryo can be located within the emergent neo-Nazi alt-right is a natural ideological development, making sense from the standpoint of dialectical materialism. This happens because the fetishistic sexualization of white skin, a non-sex trait which has been transformed into a sex trait within the white supremacist ideological framework, leads the white nationalist to be constantly in search of desirable sex characteristics in potential brethren with whom he seeks to form reactionary political movements to ensure the continued sexual reproduction of the so-called “white race”. The singular devotion to the ideal of whiteness, combined with the de-valuation of feminism common in white supremacist circles, leads the male neo-Nazis to view whiteness tout court as the primary object of desire, a sex characteristic of unmatched importance.

Although it is true that the most vehement producers of homophobic discourses almost always simultaneously grapple with the repression of their own latent homosexual desire, it would be incredibly misguided to invoke the openly racially homosexual and consequently latently gay nature of white supremacists to augment homophobic discourse by trying to dress up anti-LGBT bigotry as antifascist. Our praxis must incorporate the consideration that within the fascist camp there exist two antagonistic premises, which must both be combatted: the homophobia which racially homosexual Nazism has traditionally favored (seen for example in the fact that gays were also victimized by the Holocaust) as well as the misogynistic gender homophilia of the pre-Christian Europeans (e.g. Pausanias) to which the modern Eurocentric, racially sex homophilic ideology is indebted and reconciling with.

A tragic setback for gay liberation occurred in the early part of the 20th century in part because of the confusion aroused by Nazism’s reconciliation–then in its infancy–with the male supremacist homosexuality valorized by pre-Christian Europeans. The nascent Soviet Union had already begun establishing gay rights at this time, but the homosexual militarism of Ernst Röhm, Hitler’s closest friend and a gay man, and many of the Nazis at the highest echelons of the political hierarchy of 1930s Germany, provided ample fodder for homophobes to slander the gay community of the young Soviet Union as fascist sympathizers, inhibiting thus progress in lesbian, bisexual, transgender, queer, intersex, asexual and questioning spheres as well. This setback for the social and sexual revolution under the Bolsheviks stands as ample evidence of the deterioration of the quality of the revolutionary vanguard hegemony within the Communist political party under the homophobic leadership of Joseph Stalin, who directed many politically and ideologically illiterate people to enroll as members of what was meant to be the most advanced segment of the populace in terms of social woke-ness, the Communist Party.

Conclusions

Transgender and transrace individuals both must deal with similar emotions. Shame and terror are key among these. Transrace characters like Sinclair Lewis’s Neil Kingsblood and Fannie Hurst’s Peola on the one hand are terrorized by the fear of being made to feel disgrace and shame through having their identification with a stigmatized racial grouping exposed, while transrace individuals like Rachel Doležal perhaps feel similar emotions in being exposed as identifying with Black culture despite lack of Transatlantic Afro-diasporic ancestry. It hardly needs to be said why transgender individuals are also terrorized, given these transphobic societies we live in, which double terrorization for trans people of color, such as the unjustly incarcerated CeCe McDonald.

In terms of trans-modernity, the neo-fin de siècle society depicted in Paris is Burning seems to sit at an interesting threshold. In a way, late 20th century New York was like The Matrix, waiting to be “red-pilled” by–you guessed it–“Nine / Eleven”! After 9/11, everything changed. Mechanized police forces began to pummel the alter-globalizationists with lacrimogen–oh no–wait, they did that before 9/11… Ah well, 9/11 accelerated shit, allowing CIA director Bush’s son to enact some slick new imperial machinations. Similarly, while trans-modernity emphasizes the notion that we really shouldn’t get too carried away with trying to pinpoint the location of a postmodern rupture with modernity, the trans- affinities the film highlights do nevertheless resonate in an uncanny way on any historical timeline that might be constructed with them in mind. Transmodernity is suggestive of a process moving beyond modernity in a way that the notion of postmodernism falsely locates in the past. Similarly, transgenderism and transracialism suggest processes, not necessarily of transitioning from one race or one gender into another, but of moving beyond binary traps. Transracialism and transgenderism need not be predicated upon the maintenance of gendered and racialized core “types”, such as the “African” and the “European” or the “gentleman” and the “lady”.

If we apply the same bifurcating logic which premises transraciality and transgenderism to the title of Livingston’s documentary itself, its complement must be that Kinshasa is Cool, because Kinshasa is the second most populated city of the French-speaking world. These form thus the yin and yang of La Francophonie. The Eurocentricity of this equation, erasing the presence of Lingala and other indigenous Congolese tongues, resonates with the tendency which certain critics of the transracialism and transgenderism depicted in Paris is Burning (such as bell hooks) claim exists for these to be too soft on white supremacy and patriarchy abolitionism, being happy to simply gain privilege and power by transitioning from black to white, from sad and destitute poor gay boy to spoiled rich straight girl. The resonance of Paris is Burning is felt in the late period with musical hits like “Ni**as in Paris” by Jay Z and Kanye West. The city of Paris seems to evoke in the Western, American mind in some ways a liberatory and also aristocratic lifeway, with sexualized and racialized as well as Orientalist aspects, as in the lyrics of one of the most common variants of “The Streets of Cairo” (i.e., “There’s a place in France, where the naked ladies dance”).

The question of transraciality also arises in the Rromani community with regard to the relationship between groups of Rromani individuals contrastively characterized as Kashtalo and Pakivalo by some Rroma, such as blogger Cîrpaci Marian Nuțu, who describes this relationship in terms evocative of antagonism or parasitism. This could be an interesting starting point for another comparative analysis, given the similarities in the development of racism in slave societies during early capitalist modernity on both sides of the Atlantic. Whereas the systematic enslavement of Rroma had already taken root in the Ottoman-dominated provinces of Wallachia and Moldavia (which formed the basis of the modern Romanian state) during the pre-Columbian period, the formation of the Black Atlantic identity was several centuries retarded in comparison to that of Rromani identity, giving Rromani identity more time to be attacked with racialist goals of diffusion and dissipation. These efforts to eradicate Rromani identity are the source of the name Kashtalo (meaning “wooden” in Rromanes [the Rromani language]) in reference to persons of Rromani ethnicity who do not have knowledge of the Rromani language. During the period of enslavement, Rromani castes were often delineated occupationally, with wood-working Rroma being one caste which stopped speaking Rromanes, so the Pakivale rroms, who did manage to keep speaking Rromanes, are regarded by some as more “authentic” Rroma than the Kashtale, whose transraciality pushes them to the verge, if not past the point, of becoming gadze (non-Rroma). Cîrpaci, the previously cited blogger, accuses Rromani NGO’s of underrepresenting the Pakivale, and overrepresenting the Kashtale, whom he insinuates exercise a deceptive degree of fluidity when it comes to either dissimulating or owning up to Rromani or “Gypsy/tsigan” identity based on convenience.

Future social and political movements are likely to necessarily be inclusive of individuals whose subjectivities are shaped by a variety of trans* processes operating in the realms not only of sexuality and gender, but also intergenerational and transgenerational ones operating in the sphere of ethnic or racial belonging, while in the same time providing space for a variety of perspectives informed by both critical race theory and gender critical theory, including those critical of the kind of “transracialism” exemplified by the case of Rachel Doležal, which is not a transgenerational phenomenon but occurs within the lifetime of an individual. Just as the transformation of one thing into another, like Marxian dialectics, requires room for contradiction, so too should social movements be big enough to, in their unity, house contradictions. The goal of the political left is to usher in the demise of capitalist wage slavery and imperialist oppression via solidarity among individuals, to transit the final phases of modernity, and we begin to think forward to our collective transcendence into a communist civilization whose quality is quintessentially postmodern. Meanwhile, in this transmodern era of socialism we remain haunted by the outputs of modernity which live and die all around us in the same time.

ALL WORKS CITED IN ACCORDANCE WITH THE PRINCIPLE OF FAIR USE.
**Update, 17 September 2017** : After publishing this article, I received both positive and negative feedback from persons in online spaces dedicated to both transgender as well as gender critical or “trans critical” communities. Some in the former were averse to so much as entertaining the thought of a trans*-informed analysis of Rachel Doležal, while some in the latter did not appreciate that, despite having used scare-quotes to signal a degree of skepticism when introducing the term, I referenced a discourse as being known as “trans exclusive” or “TERF”. I have edited the text to better reflect that, not unlike the use of “trans cult” to describe trans* activism and culture, this term is understood by many of those to whom it is applied to constitute a term of abuse, in addition to clarifying a couple of thoughts in the conclusion of this piece.